The Patron Saint of Suicides
Episodes: 14 episodes in season 1.
Length: 20-35 minutes per episode
I’ve listened to… all of season one, very eagerly.
The Premise: Years ago, a flash robbery on a train went wrong and ended in bloodshed. And now, bodies are showing up on the train tracks with the same Lucha masks worn by the perpetrators. The podcast follows Haven Otomo, one of the attack survivors, as she navigates her recovery while walking alongside the investigation into these new deaths.
My Review: This is a strong mystery crime thriller that introduces a cast of phenomenal characters and develops a compelling interwoven story about grief, loss, recovery, pain, justice, and revenge. It starts with two primary focuses, following Haven as well as the investigation into new deaths, led by Victor Blossem and Zoey Gibson. As the investigation progresses, Haven’ connection with a survivor’s support group makes her invaluable to the investigation as they try to figure out why these suspects are turning up dead. I very much enjoy stories that start with divergent stories and weave them together, and I think this manages to bring the two sides of the story together in a wonderful way.
The character of Haven is developed over the course of the season in very compelling ways, revealing deep pain and remarkable resolve. She has a habit of patrolling the Golden Gate Bridge to help people contemplating suicide, fulfilling a role as impromptu therapist on many occasions. Through this, listeners also learn of her own recovery and progress, as well as her lingering wounds. Haven’s perspective is generally told in her own words, with a biting level of insight and honesty, even when exploring those moments of uncertainty and insecurity. She has her flaws and these are generally displayed openly throughout, with her own awareness of her weaknesses servicing to add a layer of internal conflict that feels very real. Even when she can recognize pitfalls, sometimes she is unable to avoid them.
In addition, there is a whole cast of strong characters that exist within the world. They show different responses to trauma and grief, each in different stages of healing. I really appreciated the way these trauma reactions were handled throughout, noting how challenging it can be to recover from an event like this, but also demonstrating how people find healing and recovery at times. That’s not to say it is all happy endings, and there is a very authentic exploration of death and suicide throughout, both from central characters and secondary or tertiary ones. So, it is important to know that suicide and death will be frequent themes in the episodes. If you couldn’t guess by the title.
In addition to the treatment of trauma, I really appreciated how the story spoke about race, privilege, and the impact of mental illness. It fluidly incorporates many systemic factors that often negatively impact marginalized groups (such as the impact of mental illness of members of a minority group, or how police relationships can be shaped by race and status). In doing so, it adds layers of complexity and realism to the story that deepen character motivations, strengths, and weaknesses. It is a thoughtful story that tackles challenging topics in an effort to provide a believable and increasingly complicated story.
The writing was engaging and well developed. Each episode left me wanting more of the story, introducing new twists and turns. Dialogue is well-written, narration is thorough without becoming distracting, and the internal workings of Haven’s mind provide the chance for the audience to really connect and understand her more fully. In addition, I really enjoyed the glimpses of her standup sets for the additional view into her world provided. The plot is complex, but developed wonderfully throughout each episode. The finale episode was remarkably done. It is a crime thriller with hints of a whodunnit throughout, so I won’t give anything away besides noting it is an exceptional episode that really did justice to the story as a whole so far.
It is a complex story, and so I feel I have tried to capture some of that in this review. But it is certainly a fascinating and emotional story to listen to from start to finish. I am interested in hearing where it goes from the finale of season one, but I have no doubts there are plenty of intriguing ways to further develop and explore the characters. While it deals with heavy topics, it is something I wished I could have binge listened to (had I not listened as it released) because each part was so good. Now that all of season one is out, I highly recommend listening to it as soon as you can.
Episodes: 5 total in the story
Length: 150 minutes total, broken up into 30 minute episodes
I’ve listened to… the whole story
The Premise: Riley and Brynn head to Las Vegas in the hopes of repairing their struggling marriage. Once there, however, Brynn is kidnapped by some particularly seedy individuals, and Riley must fight against impossible odds to save himself and his wife.
My Review: I really enjoy short fiction, and I think it takes a lot of skill to tell a contained story in a succinct package. Triple Six manages to tell its story well with a pace that keeps things moving, but also provides opportunity to develop the character arc. And adds in some twists and turns along the way. The production quality in general is really standout, and scenes come to life through skillful use of dialogue, ambient sounds, and appropriate effects.
The main character is Riley, and he’s our hero. He has a typical character arc, but his journey and development is handled well in the brief five episode run. At the start, he has plenty of negative traits and qualities that make him rather unlikable. However, his growth and increasing awareness of his faults over the course of the story ultimately make it easy to root for him as things go from bad to worse. Some of the opening scenes between Riley and Brynn are infuriating and perfect. They have a sad reality to them that showcases bad communications, unmet expectations, and unspoken assumptions in a way that develops the scene and characters. However, as Riley changes as a character, his relationship transforms as well.
It is a dark story, and it does not really try to sugar coat things or dress it up. There are some truly despicable characters, but frankly they work well within the world of the story. Rather than trying to sugar coat things or pull back from the implications of the underground gambling ring, this story runs with it and shows the monsters that inhabit such a world. As well as the unfortunate (and not so unfortunate) victims swept up throughout. It is a production for adult ears and includes references to a lot of questionable content, but it all makes sense with the characters and the world at work. The pacing and style keep it from feeling too grim or heavy, instead pushing it forward like an action thriller.
In many ways, this podcast feels like a movie that you might watch with a bowl of popcorn, edge of your seat. But I think that the podcast really brings the story to life through the sounds, creating immersive scenes. It also puts the listener in the midst of the chaos. There are points where characters are referred to only by their color designation. There are a lot of people introduced and a lot of action happening as Riley works to put things together. It is chaotic and hard to follow. And it is perfect for that moment in the narrative, because it should feel overwhelming. As soon as you as the listener start to get your feet under you, the story speeds ahead. It manages to keep you a little confused in a very good way throughout, mirroring the off-balance nightmare Riley is living.
While the concept presented is not something completely original, I think the treatment of this story, the character development, and the way things unravel at the end really serve to make this a very enjoyable listening experience. It creates a glimpse into a world that I only want to learn about from the safety of a podcast. If you enjoy a high stakes adventure with an everyman hero that will keep you guessing, this is definitely an immersive story worth a listen.
You can find them here: Triple Six
Episodes: 34, with more coming to complete the fourth and final season
Length: Generally around 15 minutes, with some select episodes running in the 25-35 minutes range
I’ve listened to… 11 episodes. I intended to listen to six, then figured I would finish up the first season, and then accidentally listened to one more. A complete accident, of course.
The Premise: BRASS is a steampunk adventure following the titular family of scientific geniuses as they unravel the criminal underworld of an alternate universe 19th century. It is a light-hearted adventure story with moments of danger, humor, science fiction, and just plain old good storytelling.
My Review: This review started with a request from the creators, and so I wanted to give them a listen. I usually start listening to the first three episodes of a podcast. I give them a chance to overcome maybe a challenging opening and catch me within three episodes. I was hooked by episode one and eager to listen to more. Which is how I may have ended up binging far more episodes than I intended originally for the writing of this review. And I will certainly be finishing the story now that I’ve begun.
BRASS is full of fun. It is a full cast audiodrama, and the voice acting really serves to provide additional depth to the characters. There is so much of the story that is told through tone, with a heavy hand of sarcasm throughout, and I am certain you will hear the eyerolls in their voices at times. The characters each have their set roles and personalities, but they play very well off of one another. The writing is sharp as well, providing good interplay between characters. I also find the narration to strike a nice balance. It provides enough context to understand, without slowing the story down or missing out on character building moments. It mirrors the old radio announcer style in a way that is instructive and likable.
This podcast does one thing that I think tends to make me happy in any media. It has fun. The story does not take itself too seriously, but plays with the rules and creates interesting situations which allow the characters to shine throughout. Sometimes things are a little too convenient or bend the limits of the believable. But if you accept the offer to suspend disbelief, I think it is truly an enjoyable experience to follow along with the family Brass.
The world is familiar, yet distinct enough to leave space for discovery and exploration, and I find they weave in the steampunk elements enough to give some extra creativity when it comes to not only problem solving, but also the dangerous stakes facing the family. I personally have really loved the allusions to and cameos from various historical and literary figures, and I find those moments feel like a familiar inside joke. Plus, if you do fall in love with the world of BRASS, there are many different opportunities to learn more. Not only is there the podcast, but also another podcast of short stories from the world, live theater productions, and a short film. It speaks to the depth of the worldbuilding that they have been able to create and support so many windows into the goings on.
BRASS is ultimately a fun escape into a world adjacent to our own. The characters are entertaining and endearing in their own ways. The writing is done well, moving the story along at a good pace while focusing on the relationships between characters. Most of all, this is a story that enjoys taking you along for the journey, and wants to make sure you are enjoying it as well. It has kept me wondering about what will happen next and how characters will escape the dangers ahead. It is funny, engaging, intriguing, and witty. I am definitely sad that I had not listened to them before, but very happy to have the chance to catch up now.
Episodes: 22 so far
Length: 30-45 minutes, usually
I’ve listened to… everything released so far
The Premise: Mission Rejected tells the story of the agents who take the rejected missions. It centers on Agent Skip Granger, who is tasked to save the world in increasingly mundane locations when the agency’s star asset hits reject.
My Review: I had not given much thought to that old cliché phrase, “Your mission, should you choose to accept it…” until this podcast came along. But they took a simple concept and developed it in an extraordinary way.
Each episode focuses on a specific mission, with the buildup, planning, implementation, unraveling, and conclusion. If you like action movies and spy flicks, I am certain you will recognize many of the themes and tropes. There are kooky gadgets, mad scientists, evil geniuses, hidden lairs, and a cast of misfit characters tackling it all. I am really torn in writing this review. I wanted to say that the misfit characters are really what make this story. But then I started thinking it was the sharp, witty writing. And then I thought about the subtle jokes and gags that make me laugh in-universe and at our own world. And the sound design is done wonderfully well. Plus they have an episode with multiple original songs that honestly I would listen to outside of the podcast. So, I’m having a bit of trouble, because they do so much well.
Let’s take things one at a time. The characters are a well-developed bunch that demonstrate character growth over the course of the episodes, while also holding true to their roles within the team. After a few episodes, you get a good feel for how they fit together (or how they grate against each other), which provides a lot of contrasting motivations, even when the goal should be on the mission. No one is static in this show, and each character has their own needs, wants, dreams, and growth areas that are changing as the seasons progress. It is truly enjoyable just listening to those interactions.
And the writing is top notch. Dialogue is sharp, character consistent, and honestly makes me laugh out loud in my car. The overarching plot is paced well, with increasing danger and intrigue as the master plot develops, but enough standalone spy-work in each episode to keep you locked in. Plus, the storylines throw some unexpected twists into the plot as they plays with the expected thriller tropes. It does not rely on narration, but tells the story through dialogue. I think they do a great job of outlining the scene and providing visual information through really natural conversations, updates, and observations of the characters. Plus, as I mentioned, they use sound design to create deeper backgrounds, letting a listener fill in the gaps. There are good sound cues that help provide disruptions, plot progression, or general background to bring the events to life.
The world of Mission Rejected looks much like our own, with enough differences to provide the escape I need from reality. It does help it provide some laughs when things hit closer to home than expected, however. As a mom to a toddler, I’m not sure I needed Baby Whale taking up any brain real estate, but there it is. Speaking of the Baby Whale song, I have to say there is a musical episode, and I cannot even conceptualize the amount of work and creativity that went into creating such fantastic, on point songs for each scene. The story is told through the songs in a competition, and it not only progresses character story arcs, but does so with snappy tunes. I was floored.
Because there should probably be a limit to how much I gush about one individual show, I will wrap up. Suffice it to say Mission Rejected has been a highlight of my audiodrama queue recently. It provides the perfect escape and pick-me-up I need during 2020 with a cast of endearing characters that I root for week after week. It has strong writing, strong characters, a lot of laughter, and a fun idea executed to perfection. I strongly recommend you accept.
You can find them here: Mission Rejected