Length: 30-40 minutes
I’ve listened to… all current episodes
Transcripts Available: No
The Premise: The Chronicles of Wild Hollow follows bounty hunter Fandango Boursin (front and center in the image above) as he takes on jobs. However, he unknowingly may be falling deeper into a web of danger with each passing moment. The first trilogy of his adventures is available to listen now, with more content planned.
My Review: If you ever wanted a musical podcast full of adventure, intrigue and sardonic humor, then I have some great news. The Chronicles of Wild Hollow hits numerous notes, creating a serious story in a fantasy world. It creates an endearing cast of characters and a surprisingly complex world. The creators, Shouting is Funny, reached out to me for a review. And I am so glad they helped me discover this absolute gem.
This audiodrama borrows some cues from westerns, noir, and adventure genres. I was impressed with the way it wove in classic genre tropes, and yet turned them around or used them to poke fun at convention. It is self-aware in a pleasant way, calling itself out to deepen characters and the world. The writing is clever, quick, and engaging. It never lingers too long in one moment, but keeps the action moving while still providing ample room for character development. I listened to the Christmas special first, as it was the first in queue. And it had me laughing and shaking my head (in a good way) all the way along my commute. That is a good introduction to the style of the show–dark, but funny. Unexpected, unconventional, and witty.
It uses humor very well to balance out the very serious themes presented, keeping it from becoming too difficult of a story to digest. However, the storylines are well-developed and thoughtful, addressing drug use, conspiracy, community, and crime. It uses these situations to develop a cast of interesting characters, with Fandango being the most complete of those depicted so far. His character wrestles with the reality of his job at times, of money versus compassion, of justice and doing the right thing. This is a fairly classic conflict for such characters, but the execution of this is excellent. As Fandango develops, the listener is kept wondering how he will navigate increasingly dangerous situations while remaining true to who he is.
The background characters are also well-done, but tend to be static and more limited in their involvement. It makes sense given the stories being told, and there are some who get additional development. Even with those brief glimpses, it was easy to like certain recurring characters. I also expect some of those with a briefer role may get developed more as future stories about Fandango are released.
I would be remiss to write this whole review and not mention the musical aspects. This is a charming aspect of the show, using musical numbers to introduce characters, progress the plot, and provide scene development. The music is well-written and placed well throughout each episode. It provides an opportunity for more focused world building, using song to provide background and setting details, but in a way that keeps everything moving at a nice pace. The lyrics maintain the feel of the show and feel consistent with the overarching themes of the show.
Overall, this podcast was one that took me by surprise and quickly became a new favorite. The first trilogy leaves off in a precarious place, so I am eagerly awaiting more. In the span of four episodes, the team at Shouting is Funny managed to create a great character, wonderful supporting characters, a complex world, and fantastic music to go along. I never knew quite how a scenario would turn out, and the clever writing pulled me in right away. I can highly recommend you give this show a listen.
You can find them here: The Chronicles of Wild Hollow
Length: The whole things comes in at about 140 minutes
I’ve listened to… all episodes
Transcripts Available: The story itself is based off the Jack London Novel, but I did not find specific transcripts available
The Premise: The Iron Heel is, according to the web “the first modern dystopian novel.” It follows Avis and Earnest, two lovers fighting for worker’s rights against the Iron Heel of the capitalist oligarchy.
My Review: I previously reviewed a podcast by this same theater group and loved the approach. In The Resistible Rise of JR Brinkley, the episodes wove together not only the story of the strange JR Brinkley’s rise to fame, but also interviews with experts in various historical fields and adaptations of period music. It was a really wonderful listening experience that was not only enjoyable, but informative. So hearing that there was another show in the same vein, I was incredibly excited.
The Iron Heel continues this style. For me, listening captured the feel of sitting in the theater watching a play. It has the familiar setup and frame as a theater show, and I have missed being able to sit in those seats recently. The acting and writing are styled and paced like a three act play. I found each of the three sections held up well on its own, though the story is understood in completion.
As I mentioned, the production weaves together the actual story alongside interviews with relevant experts. There are also renditions of labor-movement songs. Personally, I found many of the musical adaptations to be clever not only in the wording, but in the tunes used. Throughout this story, there are threads woven together between economics, religion, personhood, and family. It is a theme that touches every part.
The story itself is based off the Jack London novel. It uses a similar frame, a narrator recounting and adapting the found journal of Avis as she describes the fight against capitalism. Her story focuses on her husband, Earnest’s, role in the events. The frame story is set in a socialist utopia, looking back at the often tireless fight that finally succeeded. It takes this dystopia story and adds an element of hope, something I found refreshing. Avis is a really relatable character in many ways, confronting her own prejudices and then serving to hold people true to their stated goals and aims, without giving in to the pressures of the new world.
The way this story is adapted is wonderful. The language retains that more formal, older style. At times it feels a bit stilted because it is not the way we talk, but it serves to keep the past events anchored in their past. There are also a number of clever, fourth-wall-breaking moments. I found these served to help break down the romantization sometimes seen in such works. It focuses on the brutal, bloody systems in place. Those facts are not hidden behind the language, but up front. The frame story also includes intentional misunderstandings, serving to reinforce how far society has come. Both of these techniques wonderfully create that sense of distance from events.
The selected interviews at the end of each episode are also enlightening. I had cursory exposure to labor movements in the US during school, but nothing too detailed. I will always take an opportunity to be entertained and taught, and the Iron Heel delivers. It demonstrates how art is a part of revolution through focus on writings and music of the time.
Overall, the Iron Heel is a well-produced audiodrama that delivers the feel of an in-person play, but through a podcast format. They use that to their advantage to pack in a number of songs and interviews that deepen the context of the story, while also providing some real world knowledge. The story is based off of Jack London’s work, but adapted to this format to tell a quick paced, character-driven exploration of the fight against the oligarchy. A different approach than many audiodramas, but one that is well worth hearing.
Episodes: 9 in the first season
Length: 25-45 minutes per episode, with most around 30 minutes
I’ve listened to… All of the story
Transcripts Available: Not that I could locate
The Premise: Mike takes a job to run a fire lookout tower in the remote forest, hoping to get away and work on his novel. But once there, he begins to hear and see strange things, eerily similar to the fate that befell his predecessor in the tower.
My Review: Tower 4 is from 7 Lamb Productions and tells a spooky story of isolation and conspiracy. I stumbled across the show and quickly was drawn into the narrative style and lives of the characters. The focus on nature really caught my attention, and being someone a little more constrained by the responsibilities of life, the freedom of being in the wild is, well, intriquiging.
The story focuses on Mike’s life in the eponymous Tower, including his relationship with his one and only contact to the outside world, Amber–the lookout for Tower 3. The story manages to weave the two personalities together into a very interesting narrative. Both appear unreliable at times. Mike is harboring his own hurts and demons, and maybe the isolation is a bit much for him. The constant question as I listened was what was coinicdence and what was something sinister. Amber provides a skeptic’s balance to the events. But as Mike begins to distrust her, I as the listener did as well. She manages to easily dismiss the events–is that because she knows more than she’s telling, or because Mike is making more of the events than they are?
Despite this constant duel between potentially unreliable narrators, the relationships between Mike and Amber is nice to hear. There are some really natural, friendly moments between them. Throughout the course of the episodes, their relationship provides a platform to deepen both characters through their interactions and snippets of the past. They are both wounded in some way, running from something in the woods. That common hurt allows them to grow closer, showcasing their strengths in their interactions. It also leads to a good bit of the conflict. I’d be remiss to not include the forest as a character here as well, and the way the setting interacts within the world is really well done. It is the backdrop, but also begins to seemingly take on more agency as the story develops. I leave the episodes so far feeling as if the forest is not simply a neutral location, but could be either friend or foe.
The storyline overall is paced well. It starts relatively calm, with Mike learning his role and exploring the area. The strange elements begin to creep in on the fringes, but develop more and more quickly as the story progresses. It shows enough to keep the story interesting without ever really revealing what all is going on. The story balances reveal and concealment very well, with each new piece of information moving closer to the truth. And yet it does not rush the ending. In fact, season 1 ends in a way the opens up a myriad of questions for season 2.
The story has a first person narrative approach, and I found it very easy to listen to Mike throughout. The writing, descriptive level, pacing, and tone of voice are rather relaxing. For me, that made those tense moments stand out all the more from the surroundings. It’s easy to be lulled into a feeling of peace in the forest, away from everyone. And yet this podcast demonstrates one less common reason why that can be a very dangerous thing.
Interspersed are excerpts of Mike’s book, telling about his past relationship and the way it fell apart. There is a real sense of grief, loss, and guilt not only in the narrative sections, but also in Mike’s reflections on this event and other parts of his life. It provides a deeply introspective tone, and the events of the story serve to highlight this. Mike is at once finding similar patterns and trying to respond differently, to choose a new path for his life. And yet it seems like some forces may have other plans.
Overall, I have found Tower 4 to be a wonderful show that makes me happy every time I see it show up in my feed. The characters are inviting and human in their motivations and interactions, and I continue to listen to see how they will play off one another. Each twist of the plot brings it deeper and deeper into the world of the weird, steadily building up strange occurrences. Just as the pieces begin to fall into place, something else takes things off course. I love a story that starts simple and explodes into dozens of questions and mysteries, and Tower 4 does that exceptionally well. If you want to puzzle over some clues and get lost in a conspiratorial mystery, I’d recommend you find a quiet place and tune into the first season.
Episodes: 10 in the story
Length: 45-70 minutes per episode
I’ve listened to… every episode
Transcripts Available: Currently up through episode five, linked here
The Premise: The city of Everton, built by two brothers after World War II, was meant to be a sanctuary. And then it disappeared. Now two agents must find out what happened to the people of Everton. The journey will take through impossible realities, astral existence, Arthurian legends, and danger in every step.
My Review: Margaret’s Garden is created by Midnight Disease, the same folks responsible for the wonderful podcast that is SCP Archives. They bring the same talent and excellent production to this standalone story set in its own fantastic world. I finished listening to Margaret’s Garden about a few weeks ago, and I am still thinking about the incredible story that unfolded in these ten episodes. It is amazing how much work and creativity was poured into this story, and the final product is truly remarkable.
The podcast takes place both in semi-present day and the time shortly after WWII. It switches between the two timeframes, guided deftly by the wonderful narrator. The narrator plays an integral role, acting as an omniscient presence guiding the story, providing context, and bringing listeners along. There is ample direct address to the audience, creating a sense of familiarity with the world and experiences. And when things get hard to follow, the narration provides an anchor to tie information together.
The story also alternates between the world we know and the world of the astral plane. Each setting is slowly explored over the course of the story, developing into their own world with rules and expectations. This, of course, adds a remarkable degree of complexity to the storyline. However, it always feels manageable based on the talented storytelling. When I say there is a lot that happens in these ten episodes, I mean a LOT. There are love stories, horror stories, legends, wars, conquests, and universes all contained within the ten episode run. I do not think I have really come across a podcast telling a story quite like this, though it certainly shares themes and concepts seen elsewhere. The breadth and complexity of the story is standout.
The writing, in both dialogue and narration, is phenomenal. Each character has their own tone, motivation, weaknesses, and story. The decisions they make, especially how they react to what they do not know or fear, drives the plot forward in a very organic way. It provides ample opportunities for characters to learn and grow…or stay in their faulty ways of thinking and sacrifice everything. Given how, frankly, bizarre some things can be, the use of description and narration is balanced carefully with the dialogue and sound design to ensure scenes are comprehensive and engaging, even as it stretches the bounds of what one can imagine.
The themes addressed are weighty. What would you do to be safe? To be loved? To build a better world? To be powerful? In the character’s successes and missteps, a remarkable world rises and falls. It does not try to maintain simplistic views on the good guys and the bad guys. Each character is complex, with understandable motivations and, often, questionable means to meet their needs. And that make sit hard to know what will happen next or even what outcome the listener should be rooting for. And yet it manages to tell a powerful story that addresses this complexity and refuses to stoop to solving it with a neat bow.
Overall, Margaret’s Garden is a beautifully constructed story with a whole group or intriguing and realistic characters. The production team behind it is talented, and so every aspect has been carefully polished to be a wonderful listening experience. The acting is engaging, creating characters a listener can know and care about. The writing balances a host of competing storylines and themes in order to tell a full and satisfying story in multiple times and places. It is a wonderful piece that blends sci-fi, fantasy, supernatural, and horror themes into something new and different. And you should definitely buckle in and listen.
Episodes: 13 full episodes with three prologues, and epilogue, and a full supercut available.
Length: 15-30 minutes per episode, with the supercut totaling 222 minutes
I’ve listened to… Everything
Transcripts Available: Yes, linked here
The Premise: Two scientists discover evidence of an abandoned world and set off on a journey to uncover what happened to the missing civilization. The story is told in alternating segments from the perspectives of the scientists, one starting from the beginning and the other from the end of the story.
My Review: As I mentioned last week when discussing Primordial Deep, it is wholly my oversight not to talk about Janus Descending earlier. For sci-fi horror, you really cannot go wrong listening to this story, and they have a sequel story in the works now. When I saw something new show up in the Janus Descending feed, I immediately loaded it up to listen and was so excited. So let me tell you why you should listen.
Chel and Peter are the main characters, and episodes alternate between their personal logs. These logs are made up of descriptive information about the planet and their discoveries alongside personal reflections and monologues. They both know the other may be listening, and so they also serve as notes between the two, messages separated in time. Chel and Peter have very different approaches to the discovery, with Peter often taking a more cautious approach, while Chel is chasing the excitement of exploration. Between their two perspectives, the listener gets a clearer sense of the reality of their situation. It is one filled with wonder and riddled with danger, a fact neither of them can fully understand until later on.
While they give away the ending very early on, the context develops slowly, providing multiple layers of discovery and appreciation over the course of episodes. So, even though I knew the ending from the very start, I cannot say I fully understood or appreciated it until much later, as comments became clear and the reality sank in. The alternating perspectives also served to fill in the gaps, as one character might experience something described by the other at another part. It was enjoyable having the chance to put the pieces together and reconstruct the story as it developed, filling in the missing pieces from both the start and end.
Aside from Directive and Seren, I’m not sure I’ve had as emotional a reaction to an audiodrama as I did with Janus Descending. There is something beautiful and tragic in the unfolding story of these characters. They become so complete in the telling of the story, and something about knowing the end makes it all the more poignant. It is truly a beautiful story set in a very terrifying world.
Of course, the plot centers around exploration of an alien world. And this is handled wonderfully, telling a tense story with excellent pacing, careful reveals, and building unease. The alien concept is not necessarily unheard of, and fans of sci-fi staples will probably recognize familiar ideas. However, the way it develops and is presented sets it apart from other similar works. It takes these familiar threads and weaves them in a different way, using clever moments of obscurity and revelation to savor the exploration of the world they have encountered.
Overall, Janus Descending is a podcast that has stuck with me since I first listened. It is the kind of story I wish I could write, done masterfully. It combines sci-fi and horror elements that are familiar, but through careful work and thoughtful character development, spins those into a new listening experience. It remarkably balances character and plot, developing both in chronological and reverse order simultaneously. The attention to detail in the characters and themes of the story makes it feel cohesive from start to finish, weaving a beautifully tragic tale of space exploration that deserves plenty of listens. If you like sci-fi/horror podcasts, this is pretty much required listening.
And again, they absolutely deserve all the support you can provide. So please, help them keep creating new shows, like the upcoming sequel to Janus Descending, Descendants.
Episodes: 7 episodes + a prologue and epilogue in season 1.
Length: 45 – 75 minutes (and worth every second)
I’ve listened to… all of season 1.
Transcripts Available: Yes, linked here
The Premise: A crew is sent deep under the sea in order to investigate strange happenings. However, it becomes quickly evident that there is more under the water than anyone bargained for, and their employer must know more than he let on.
My Review: No Such Things Productions are the creative geniuses behind Janus Descending which, after realizing I have not already reviewed it, will be reviewed next week in eager anticipation of their new story in the Janus Descending world. But today’s focus is on Primordial Deep, a sci-fi horror show set in the deep oceans of our very own planet. Continuing with the theme of the strange, horrifying, and alien, this earth-bound tale weaves a fantastic and heart wrenching story.
I’m writing this fresh off of the season finale. And woah. Let me tell you, it is a spooky ride, but one that you should definitely join. The cast of characters really makes this work a masterpiece. A story like this with carboard characters who can live or die without any emotion would fall into anonymity with hundreds of similar stories. But the amount of life brought to each character in this story is remarkable. It is a character story told in a horrific setting, with stakes increasing moment by moment.
The classic conflicts are human vs. human, human vs. self, and human vs. nature. Primordial Deep manages to weave all three of these conflicts into one single story, with constantly shifting threats from within and without. The writing balances danger and periods of quiet well, but never lets the listener feel too comfortable. If it is not monsters, it’s the boss or a character’s own thoughts that threaten to destroy the team and mission. The pacing is wonderful in this regard. The show spends time learning about, understanding, and developing characters both during times of distress and times of relative quiet. In turn, the listener develops a strong relationship with them.
There are a lot of heavy hits in this show, and it is not for the faint of heart. The story is unapologetically dense, tackling a lot of difficult themes around life, relationships, grief, guilt, and belonging. However, these are consistent with the overall themes of the story and the developmental needs of the characters. Each person comes in with their strengths, weaknesses, and works in progress. As humans, they are messy, hurting each other in their attempts to keep self and others safe. No one reacts perfectly to every situation, and it provides a level of realism to the otherwise sci-fi setting.
Admittedly, I am one of those people who does not trust the ocean on a good day, and this audiodrama has provided me ample reasons to stay far away in the future. There are creatures in here, and the development and creativity of these is incredible. They provide varying levels of threat, making it often hard to know what is dangerous and what isn’t….until it is. I am not a marine biologist, but the descriptions and explanations presented also felt really consistent throughout. Is it scientifically accurate? I have no idea. Is it convincing and well-developed in a fictional setting? Absolutely.
And the sound. It is very atmospheric, which is really crucial for a story where the setting is as much a character as any of the voice actors. They provide a great background for what is happening and allow the listener to discover some of the secrets of the ocean alongside the characters, based on the well-designed sound cues. I think the investigative tone of the initial mission also functions well in the audiodrama format, as characters provide scientific descriptions of creatures encountered and their behavior. I left most episodes with a great mental picture of what was going on, whether I wanted to imagine such things or not.
Overall, if the preceding paragraphs have not given it away entirely, Primordial Deep is a horrifically good sci-fi story about the dangers under the water. It develops the characters well in order to fully engage the listener, and then holds them there with wonderfully developed sound design and expert writing. Once the story takes off, it does not slow down much, hurtling toward greater stakes and danger each step of the way. It’s worth listening to, and with all of season 1 released, it is definitely worth binging so you can eagerly wait for more.
Also, one moment, but this creative group is one that absolutely should be swimming (pun only moderately intended) in Patreon support. So if you can support them, please do, because I need them to be around a long time creating such wonderful shows.
Episodes: 3 so far
Length: 25-40 minutes each
I’ve listened to… all available episodes
Transcripts Available: Yes, linked here
The Premise: Life With LEO(h) follows Jeanine, a futuristic lawyer specializing in keeping one rule-bending company out of trouble. After saving them yet again, she is given her very own android. The problem is, LEO(h) has free will, something that is definitely not okay. The story follows Jeanine, caught in this ethical nightmare, and LEO(h), the loving, empathic, optimistic, and only sort of helpful android as they confront questions about free will and love.
My Review: I was contacted to review this audidorama and was so excited. As I mentioned when reviewing them, The Bright Sessions was one of the first audiodramas that got me truly hooked on the genre. So when Atypical Artists reached out about one of their new projects, it was an easy choice.
The story so far has been a blast. Jeanine and LEO(h) are incredibly interesting characters, and the supporting cast really add a great background to provide depth to the world and additional stakes. The writing is sharp and engaging. There is a wonderful pace to every scene that keeps the story moving along, while unraveling strange cases or sifting through personal problems. Each episode is constructed to move the overall story forward, while also handling new challenges.
In one sense, it feels like a really smartly written sitcom. The episodes each have their own individual struggles, and each of these play into the bigger picture. The comedic aspects of it are very much based on the absurdity of certain situations and vicarious awkwardness, and yet that balances very well with the real important questions. Early on, the story introduces the concept of consent. LEO(h) has free will, except in that he must love Jeanine. The show dives straight into the question of whether or not that is free will, and can consent be freely given?
The world feels close to ours, albeit with advanced AI and androids. The situations are realistic extensions of what we experience today, updated to a futuristic setting. As the show has progressed, the intricacies of this reality have been further and further developed. Jeanine’s work colleagues offer insights into the complex system set up to try and manage the world of android law. Through their cases and conversations, the preconceived ideas and assumptions that keep things running begin to show up, and LEO(h) serves as a contrast to the legal precedent.
In addition, Jeanine’s sister and fiancée break up the tension with their good-spirited banter and familial taunting. They offer a space for Jeanine to reflect and get a good reality check as needed, while also rooting for some exciting romantic drama to keep them entertained. They are a wonderful addition and serve to provide a human, lighthearted element to the story overall.
I am truly smitten with Life with LEO(h) so far. The writing is quick, witty, and engaging. The plot is well-paced and intriguing. The characters, both main and secondary, are relatable, energetic, and realistic. I also cannot wait to see where they take some of the big questions around free will, sentience, love, and consent. I am not a huge romance fan, but this is one romcom I am eagerly waiting for, episode after episode. If you like some laughter and humanity in your sci-fi audiodrama, it is definitely one to listen to.
Length: 20-30 minutes
I’ve listened to… All seven episodes
Transcripts Available: No
The Premise: A comedy series about super heroes and, more directly, the super villains in the world. It is a light-hearted show that tackles superhero tropes head on, using those to develop a different perspective as it follows the daughter of famed super villains and their lasting impact on her life.
My Review: Super Villain is a production of Phonic Phoenix, a group creating comedy sketches, including short and long-form content. This seven part series sits alongside other, brief, standalone comedy sketches. The creator reached out to me and suggested I look at Super Villain specifically, and so this review remains focused on that series. (But if you are looking to subscribe on your app of choice, the feed is Phonic Phoenix.)
Super Villain is an enjoyable listen, a story about the nuanced and more down-to-earth life in a world with heroes and villains. In general, the tone is rather light, even when discussing some significant challenges, and remains optimistic. It is a feel-good kind of tale, but taking a different approach to the hero genre. Episode one ends with a direct, fourth-wall breaking commentary on the superhero genre, specifying the ways Super Villain intends to do something different. It was a cute and clever way to highlight that, despite some familiar opening notes, the story intended to diverge.
The main character is Dani, daughter of a famed super villain duo. She is forced to wrestle with the legacy of her parents, as well as decide who she wants to be in the world while overcoming obstacles she never asked for. In addition, there is Captain Hero, our requisite super do-gooder, and The Sage, his current nemesis. Dani is the best developed of the characters, and I really enjoyed following her story. She has attitude and grit, which makes it interesting to listen. I enjoyed following the ways she got out of challenges, using her strengths and weaknesses to handle the day-to-day struggles of life in superhero world.
The Narrator is also a key character. Super Villain is told within a frame story of an audiodrama production. The Narrator is there to read the script, keep things on track, and advocate on behalf of listeners and characters. There is the traditional script-reading, but also “unscripted” commentary about what is happening. This allows the show to address some concerns, such as the dialogue in episode one explaining why it is not your run-of-the-mill hero show, while also providing some levity and optimism. I do feel that at times the writing leans to heavy on the Narrator to explain things, when instead it may make sense to trust the audience to put it together. However, the Narrator is a likable character and provides some relatable reactions to the unfolding script. In addition, this role provides a lot of the non-audio cues. He sets the scene, describes visuals, and narrates actions that might be confusing in an audio format.
The first two episodes really serve to set the background and introduce the main characters. This is important information for appreciating the story as a whole, but the excitement really takes off in episode three with the characters, conflicts, and world fairly well-established. It is an engaging ride throughout, and I was very drawn into the story within a few episodes. The writing is good, with some clever moments and organic dialogue. Dani’s conversations and interactions with her friends felt fun and supportive, a bright spot of human connection in a story shining a spotlight on the hurt we can cause each other.
The plot and ideas were well-constructed, rarely wasting information. Each moment and scene propels the story along. In some ways, this can feel convenient: the right person always happens to be listening at the right time. But, it also works well for the pacing and structure needed, avoiding traps that could bog down what is a well-paced tale. It simply does not waste time on unnecessary things. Even when I thought something was wrong or superfluous, it turned out it was just hinting at a more important reveal. The general plot is a comedic action-adventure, and yet it manages to bring in big questions about right, wrong, and meaning without breaking stride.
Overall, it was an enjoyable show to listen to that gave a more nuanced view of life in the world with super humans. At its core, it is not about being a hero/villain and saving/destroying the world, but more about figuring out who you want to be. The frame story helps maintain its upbeat, hopeful tone throughout, even when asking big questions and tackling tough moments. The character of Dani is well-developed and fun to get to know, with a selection of side characters that enrich the world and relationships therein. If you are wanting a break from the dark, gritty, nail-biting urgency of modern day superheroes, Super Villain is a enjoyable exploration of these ideas worth a listen.
You can find them here: Super Villain
Episodes: 7 so far
Length: 10-20 minutes
Transcripts Available: No
I’ve listened to… All currently available episodes
The Premise: An unnamed man discovers a supernatural realm and uses his skills to help and protect others, as well as himself. It follows him interacting with the strange and unknown in all kinds of encounters with the supernatural.
My Review: The show creator reached out to me a few months back to let me know about their upcoming release. As the show was still new, I mentioned it in my 2020 Roundup and agreed to come back when a bit more of the show was available for review. And now at seven episodes, I am excited to point you toward this show!
Arcane is a mysterious supernatural audiodrama following our unnamed protagonist as he encounters all kinds of supernatural oddities. It covers a wide range of different scenarios in the first few episodes, with people trying to steal knowledge/power, spells gone wrong, and people with strange abilities. While having a “monster of the week” style approach, the dangers encountered veer away from the traditional tropes /monsters and focus on more unique experiences.
The first episode starts off with a rather dark turn, setting the stage for the somber tone and high stakes of the series so far. On my first time listening, I was not sure what to take from Episode 1, but it came into focus as the episodes developed. I have found myself going back to episode one and turning over some of the unique plot points from time to time, just because it really caught me by surprise in a fantastic way. I do think this is a show that takes an episode or two to hit its stride, not in the quality of content, but in the overarching concept. Once it settles into that rhythm, the surprises continue to show up, but I felt I was able to appreciate more because I was better oriented to the universe.
The sound is great and serves the story well. It is not overdone, but it provides appropriate context clues for what is happening in the scenes so that a listener can get a good visual of situations. Similarly, the blend between narration and dialogue works well. The unnamed protagonist provides some very helpful context and background as needed through narrative pauses, without turning into too much of a monologue. It can be hard to strike that balance, especially in a story where the world building is very important, and I think it lands with a good split of both overall.
One of the things I most enjoy is the slow discovery in this particular story. There is limited handholding by the creator as to what things mean in the broader context, but there are clues and breadcrumbs to follow regarding the bigger picture. It is a really pleasant experience to notice those pieces coming together and forming the background to the events in each episode. There is definitely a much broader, deeper world here than has been revealed so far, and I have enjoyed the opportunity to piece things together as they come up within the context of the episodes.
Overall, Arcane is a unique take on the brooding, supernatural serial. It has moments of light and darkness woven together to create a complex world that had been exciting to explore. The writing and sound are solid, providing the necessary frame to get drawn into the world being created. It deals with familiar ideas, but avoids falling into classic tropes and traps, instead introducing unique concepts and conflicts in each episode. I am excited to listen to more and see the world of Arcane continue to develop.
You can find them here: Arcane
Episodes: 8 publicly available. Patreon supporters have access to episodes in a weekly format ahead of public release, with a total of 47 weekly episodes currently available for $5 and up Patrons.
Length: Monthly cuts are 35-45 minutes in length. Weekly episodes are 5-10 minutes each.
I’ve listened to… All 7 public episodes and maybe (definitely) all the Patreon episodes. I got hooked.
The Premise: Arthur Lester awakens with two startling revelations. He cannot see, and there is another voice inside his head. The story follows him and this entity as they try to understand what has happened, getting drawn deeper and deeper into a web of otherworldly conspiracies that put them both at risk. Using the Chaosium system to provide some additional framework to the story, it takes the listener on a mystery adventure deep through cosmic horror unknowns.
My Review: In the interest of all transparency, this creator reached out to me on Reddit and asked me to review the series. I had been eyeing the episodes for a while, so decided to take a listen. After listening to the 7 monthly cuts of episodes widely available, I decided it was well worth the $5 investment to get access to more, and I have just been listening to as many as possible since.
Malevolent is cosmic horror, and it delves into that genre quickly with rituals, sacrifices, ancient evils, and plenty of bizarre deaths and evocations. If you are familiar with lovecraftian stories, this will feel familiar, but far from stale. The plot twists and turns into danger every step of the way, constantly ratcheting up tension, while using brief moments of pause to summarize and reflect on what needs to happen next. One thing I found very interesting is that each of the weekly episodes ends with a choice that $10 and up Patrons can vote on, determining which path the characters will follow. I think the plot works seamlessly around these plot points, and even with outside control, the writing ensures the decisions are consistent with the world and characters as they are developing. The story also does a great job of providing subtle hints and clues throughout the story so that listeners can begin to piece things together. It is hard to create a sense of the uncanny through audio alone, but Malevolent manages to incorporate by providing just enough details so that the listener begins to realize the pieces aren’t aligning. And then the bizarre shines through, mimicking that real world feeling.
Arthur is the main character, a private investigator now being forced to solve what may be an impossible mystery for human minds to comprehend. The stakes are high; an entity has moved into his head and, while seemingly an ally, there is no guarantee that the arrangement will last forever or end well for Arthur. He is a sympathetic character, and I find he demonstrates a good level of thoughtfulness in the story, while also having his moments of panic and helplessness. While we might all like to imagine we would escape mostly unscathed, Arthur shows how easily human ingenuity can be eclipsed by the otherworldly.
The Entity, which is the title I will use to avoid any potential spoilers, is just as stuck as Arthur, and yet may know more than they are letting on. That’s a great deal of the character tension, because while they are working together, Arthur and the Entity are in adversarial roles simply due to their situation. As details emerge, they serve to further complicate the tenuous partnership. The Entity also fills in some of the details and provides an excellent narrative voice. Since Arthur cannot see, the Entity explains things as they happen. I think this allows the story to sidestep one of the potential pitfalls in audiodrama in general. The audience is provided a detailed descriptions of characters, scenes, and events. This made me feel like I was getting the chance to play along, wondering if Arthur would take the same thing from encounters or places that I did, following the same leads.
The sound design for episodes is also fantastic. I think the story is served well with a blind main character. Arthur is just as surprised by sudden sounds and noises, and it creates a deeper sense of immersion. Additionally, the spooky noises, background sound effects, and wonderful skill of additional voice actors really serves to create a dynamic and engaging world. (Correction, all the voices are provided by ONE PERSON! Even more impressive, because I had no idea.) It is very easy to get sucked in and walk alongside Arthur through his perilous journey. I found episodes flying by as I listened, caught up in a world I could not see, but could easily experience.
As a brief aside, the story does use the Chaosium system, as stated in materials. I am not an actual-play podcast person, nor have I played an in-depth RPG-style tabletop game (but plenty of other tabletop games). I mention it to say, after reading up a bit on the system and some of the Call of Cthulhu rulebook, I can see how the system helps provide some additional structure to the story. That said, it is not an actual-play podcast and does not use dice rolls. I also never found myself lost or confused because I do not have the RPG experience. My one hesitation prior to listening was the reference to Chaosium and worries that I would be in the dark. Fortunately, I have not found that to be the case in the slightest.
Overall, I am so glad I gave this a listen. It is a great spooky story where the unraveling tale keeps me hooked. I am working to put the pieces together as the story develops, feeling like I am walking alongside Arthur and the Entity as they get pulled in deeper and deeper. The writing is strong, dialogue well written and acted, and sound design on point to create an immersive experience. I have been able to get lost in the world and the mystery of Malevolent, and I think it is an excellent listen if you need a little more otherworldly terror in your life. And who doesn’t, right?
In Another Room
Length: 30-45 Minutes
I’ve listened to… All of it
The Premise: Wendy Morrow is exploring a notoriously haunted house. Each episode tells the story of a room as Wendy tries to understand not only what has happened in the past, but what is in store for her after she is caught within the house’s clutches.
My Review: If you like haunted house stories and great ghost stories, then this podcast is almost certain to have something for you. While each story deals with a specific room in the house, it is definitely designed to be listened to in order so that you can understand the workings of the house. Each room holds a clue to what happened, but more importantly what is keeping the souls trapped. The frame story with Wendy is also well-crafted, focusing on her need to understand the supernatural at the expense of the rest of her life.
The individual ghost stories are told well and have some familiar themes. To be fair, it is tough to come up with new ghost story themes, because it has been a genre since the start of time. However, the delivery of each story, as well as the interplay between time and setting, creates some unique experiences even with familiar concepts. It innovates on a theme that many will find familiar, turning it into something new. It is a haunted house, not only because it is inhabited by spirits, but because each spirit is haunted in their own way as well.
Some of the stories really stuck with me. They were well-written, well-acted, and showcased a great mix of complex characters throughout. The stories develop a claustrophobic feel as they explore the injustice of those trapped, and the same feelings spill over into the present-day experience with Wendy beautifully. Wendy’s story becomes its own standalone cautionary tale, following someone driven to the edges by grief, even to the point of missing life right in front of them. In many ways, she is trapped before she ever steps foot in the house, and so it is interesting to follow in her footsteps deeper into the mire that exists.
Overall,Iin Another Room took a lot of ghost story ideas and blended them into a unique and intriguing story. It creates a sense of chaos and confusion that brings setting and characters alive throughout the story. Voices blend over each other, time shifts, and everything that happens within the house has the feel of solid reality and complete fantasy rolled together. It is spooky and unsettling in all the best ways, ultimately reworking the idea of a haunted house in a way I am really glad I got to hear. It reminded me of campfire stories from my childhood, but grown up with an air of polish that kept me eagerly listening episode after episode.
You can find them here: In Another Room
The Patron Saint of Suicides
Episodes: 14 episodes in season 1.
Length: 20-35 minutes per episode
I’ve listened to… all of season one, very eagerly.
The Premise: Years ago, a flash robbery on a train went wrong and ended in bloodshed. And now, bodies are showing up on the train tracks with the same Lucha masks worn by the perpetrators. The podcast follows Haven Otomo, one of the attack survivors, as she navigates her recovery while walking alongside the investigation into these new deaths.
My Review: This is a strong mystery crime thriller that introduces a cast of phenomenal characters and develops a compelling interwoven story about grief, loss, recovery, pain, justice, and revenge. It starts with two primary focuses, following Haven as well as the investigation into new deaths, led by Victor Blossem and Zoey Gibson. As the investigation progresses, Haven’ connection with a survivor’s support group makes her invaluable to the investigation as they try to figure out why these suspects are turning up dead. I very much enjoy stories that start with divergent stories and weave them together, and I think this manages to bring the two sides of the story together in a wonderful way.
The character of Haven is developed over the course of the season in very compelling ways, revealing deep pain and remarkable resolve. She has a habit of patrolling the Golden Gate Bridge to help people contemplating suicide, fulfilling a role as impromptu therapist on many occasions. Through this, listeners also learn of her own recovery and progress, as well as her lingering wounds. Haven’s perspective is generally told in her own words, with a biting level of insight and honesty, even when exploring those moments of uncertainty and insecurity. She has her flaws and these are generally displayed openly throughout, with her own awareness of her weaknesses servicing to add a layer of internal conflict that feels very real. Even when she can recognize pitfalls, sometimes she is unable to avoid them.
In addition, there is a whole cast of strong characters that exist within the world. They show different responses to trauma and grief, each in different stages of healing. I really appreciated the way these trauma reactions were handled throughout, noting how challenging it can be to recover from an event like this, but also demonstrating how people find healing and recovery at times. That’s not to say it is all happy endings, and there is a very authentic exploration of death and suicide throughout, both from central characters and secondary or tertiary ones. So, it is important to know that suicide and death will be frequent themes in the episodes. If you couldn’t guess by the title.
In addition to the treatment of trauma, I really appreciated how the story spoke about race, privilege, and the impact of mental illness. It fluidly incorporates many systemic factors that often negatively impact marginalized groups (such as the impact of mental illness of members of a minority group, or how police relationships can be shaped by race and status). In doing so, it adds layers of complexity and realism to the story that deepen character motivations, strengths, and weaknesses. It is a thoughtful story that tackles challenging topics in an effort to provide a believable and increasingly complicated story.
The writing was engaging and well developed. Each episode left me wanting more of the story, introducing new twists and turns. Dialogue is well-written, narration is thorough without becoming distracting, and the internal workings of Haven’s mind provide the chance for the audience to really connect and understand her more fully. In addition, I really enjoyed the glimpses of her standup sets for the additional view into her world provided. The plot is complex, but developed wonderfully throughout each episode. The finale episode was remarkably done. It is a crime thriller with hints of a whodunnit throughout, so I won’t give anything away besides noting it is an exceptional episode that really did justice to the story as a whole so far.
It is a complex story, and so I feel I have tried to capture some of that in this review. But it is certainly a fascinating and emotional story to listen to from start to finish. I am interested in hearing where it goes from the finale of season one, but I have no doubts there are plenty of intriguing ways to further develop and explore the characters. While it deals with heavy topics, it is something I wished I could have binge listened to (had I not listened as it released) because each part was so good. Now that all of season one is out, I highly recommend listening to it as soon as you can.
Episodes: 7 in season 1
Length: 30-60 minutes
I’ve listened to… all of season 1.
The Premise: The surface of Earth can no longer sustain the population, and so underground bunkers are constructed to save who they can…based on a numeric rating system. The story follows Hannah Ori as she lives in this world and works on a new project, The Oyster, promising complete peace. But at what cost?
My Review: I found the Oyster when it showed up in a number of other podcasts I listen to. I had previously listened to Darkest Night, which shares some themes and creators in common, and so I was eager to hear more. I wrote briefly about my thoughts in A Listener Reviews: New 2020 Roundup, and my appreciation for the story only grew the more I listened.
The Oyster is a pretty dark ride. It does not shy away from discussions of trauma, grief, loss, racism, suicide, and meaning. And for that, I really appreciated the story on multiple levels. I think it is important to be aware of these themes and the pretty grim tone throughout for anyone considering listening, just so you can check your mental health. But if you feel up to it, I think the story it tells is wonderful and evokes some great questions that we should wrestle with.
Everyone in this story has their dark side, some more than others. There is an acknowledgment of collective trauma, as well as exploration of the individual stories that brought people there as well. The cast of characters all act in various shades of grey, ranging from shadowy to midnight. However, there is generally a compelling reason for their actions and consistent motivation, even if I find the decision abhorrent. I think this is a true strength of the show because it does not have evil for the sake of evil, but evil often in the name of “good.” It demonstrates just how reasonable terrible things can seem when spun in the right way with half-truths and fearmongering. Hannah is an engaging narrator set in a world that is executed well in the audiodrama format with good use of sound design to flesh out the world.
In addition to this, the story weaves themes of systemic injustice throughout, highlighting how most of the people who did not make the initial cut to escape underground were members of a minority group, those with medical/mental health conditions or disabilities, and people with other difficulties that often act as barriers today. It managed to showcase exactly why such systemic inequalities can exist. Everyone taking comfort that it does not affect them directly while refusing to see the bigger picture. That aspect of the story is introduced in multiple places, always managing to show how damaging perpetuation of the status quo can be.
And it does not stop there. It delves into the meaning of trauma and suffering in a beautiful way. I work as a trauma therapist, so my day-to-day is pretty much filled with hearing people talk about the worst moments of their life. The Oyster starts to show what happens when we individually and culturally prioritize comfort over addressing the pain of the past. It also weaves in additional complexities cause by government conspiracy to increase pressure to conform and pretend as if everything is fine. The culture that is created is one of faux normalcy and concealed pain that seeps into so many parts of everyday life, everyone trying to recover from impossible losses. Which ultimately is what makes the Oyster (the creation that promises to end this pain) so dangerous.
The Oyster overall is a challenging story in the themes it addresses, but it does so in a way that forces introspection and reflection. It tells a very compelling story by holding up a mirror to some of our worst sides, and through it, makes you want to fight for humanity all the more. It was unsettling to listen to, but in a outstanding way, and I cannot wait to see where the story goes from season 1.
You can find them here: The Oyster
I was contacted by the creator of How to Bury the Pets and asked to write a review of the episode. I listened to it a couple of weeks ago and, after opting to take a week off in respect to the ongoing protests in our country, wanted to share my thoughts.
How to Bury the Pets
Episodes: 1. This is a fully contained story in one episode, with plans to produce similar stories in the future.
Length: 50 minutes
I’ve listened to… All of it
The Premise: The story follows the intersecting lives of Dan and Miles at the front counter of a pet store. Dan, a self-absorbed middle-aged white man in suburbia, is trying desperately to avoid dealing with his impending divorce. Miles is the black clerk at the store navigating his own family and social stressors. The story deals with themes of race, opportunity, and how we respond to challenges in life.
My Review: I am a sucker for short, self-contained fiction. I have spent a large part of my life writing short stories, and so I can appreciate the unique requirements of short fiction. How to Bury the Pets works within those bounds well and tells a very interesting story. It is a realistic fiction podcast, with some humorous moments throughout. However, it also deals with some major themes that are worth extra thought even after the story ends. It begins in the midst of suburbia, wanders through rodent genocide, and winds up with some poignant thoughts about race.
The thing I most enjoyed about this story overall was how well contrasted the two characters are throughout. They share some commonalities, but their responses to the situations they face are opposed. They work as excellent foils to one another, and I think there are some beautifully crafted parallels that serve to set in stark contrast their responses to the situations they face. The characters are both very well-developed with their own internal motivations that are woven throughout the narrative. I was impressed by how often their unique characteristics are demonstrated throughout the story in big and small ways, showcasing a consistency of character development that is impressive. I’d love to say more about this, but I don’t want to give anything away.
These contrasts in the characters also serve to propel the underlying message regarding racism. The story directly addresses some covert and overt forms of racism that exist, while also portraying the inequalities that are present for many people on a daily basis. The way assumptions are presented and undermined throughout helps to shine a light on how damaging everyday discrimination can be. It confronts white discomfort and demonstrates how many people have no idea what different challenges may be faced by people of color.
In addition, the voice acting is incredibly well done. There is brief narration throughout, typically in a rather flat tone, that serves to set the scene and provide important context. Dan and Miles really come alive in the story through their voice actors. There are very emotional moments that are delivered with perfection. I feel like I had a very clear mental picture of these moments throughout, and they were vivid in their depiction. The voice acting provided a life to the story that brings it beyond the realm of fiction and into the real world we all share.
Overall, this was a very enjoyable, thought provoking listen. There were moments of humor, there were times I cringed, and there were plenty of moments that highlighted the role of race in everyday interactions. It is well written, well acted, and a great example of short fiction that carries an important message.
You can find them here: The Podplay
True Tales of the Illuminati
Episodes: 3 Episodes in the first season.
Length: 35-55 minutes
I’ve listened to… All episodes.
The Premise: True Tales of the Illuminati is exactly what it claims. The mostly true story (I assume) of the inner workings of the Illuminati. Season one focuses on the conspiracy behind the building of the pyramids.
My Review: This podcast had a great introductory season, with more on the way. This is one of the few podcasts that has actually had me chuckling out loud while driving to work, and I think it is perfect for anyone needing some levity in their daily life. It definitely takes an absurdist approach to humor, but the episodes are well-constructed and written.
It centers around one team within the Illuminati, made up of a balanced cast with competing motivations that, nonetheless, manage to bungle everything in equal measure throughout. It is definitely the story of a team that should be competent, but struggles because of themselves. Nevertheless, they continue toward the goal.
I think the writing is sharp and witty, with moments that genuinely caught me by surprise. As far as the humor is concerned, it does have that “random” quality, but orchestrated in a way to keep the story progressing. Each character is distinct in tone, manner, and approach to the problems they face. While presenting some rather classic archetypes, they play off each other very well.
True Tales of the Illuminati is a funny, enjoyable, brief podcast. It’s fun and goofy, with some moments that really have you rooting for the team. Even as things go terribly awry. They way they weave the story with myth and legend also make it a joy to listen to. If you have just over two hours and enjoy some silliness, it definitely deserves a listen. Illuminati Ollominoto!
You can find them here: True Tales of the Illuminati
Episodes: 8 episodes, potential for a second season
Length: 10-15 minutes
I’ve listened to… All episodes.
The Premise: Seren is on an 8-month journey into the vastness of space. As the story unfolds, the listener learns about her world and why she is alone among the stars, save for her strict AI.
My Review: I posted about Seren in January when it was just coming out. It is a thoughtful sci-fi story that brings up themes of culture and belonging, specifically what it is like to not fit in with what the majority feels should be the “right” way to do things. The voice acting is wonderfully executed, truly bringing Seren to life over the course of the eight episodes. One of the things which most impressed me is how well developed the world and culture are in such a short span. There is no long, drawn out explanation of the universe. However, I left the season with a clear picture of the relevant details.
Everything is explained fluidly throughout the story. Part of this is that the story follows recordings Seren makes to, according to the first episode, “reflect on [her] past and the mistakes that led to [her] becoming a colonist.” This produces a consistent atmosphere of reflection that serves to highlight the central conflicts of the story.
I don’t want to give things away, so forgive the vagueness, but I was struck by how artfully the story balances aspects of assigned guilt and blame with concepts of independence and autonomy. While as a listener I had a clear opinion on the situation at the crux of Seren’s role as colonist, it was written in a way to show how embedded cultural norms can become. I think that is a message we all should reflect on from time to time.
It is an emotional story with a focus heavily on the internal struggle of living out of line with the world around you. The themes introduced can be heavy, as can be the theme of isolation throughout. However, the overall story arc is absolutely beautiful. Challenging, to be sure, but moving in directions I did not expect. Ultimately, I left this portion of the story feeling reassured and hopeful, despite some of the heavier moments throughout.
Seren is a brief, but tightly constructed story that packs a punch. It introduces some important ideas and themes, and shows a very human reaction to impossible situations. The universe it presents is well developed in a natural way that helps keep the story moving at an engaging pace, while still outlining key aspects. It is a beautiful story–albeit emotional and heartwrenching at times–to follow along with. I greatly enjoyed the story so far and will eagerly await any further opportunities to join in Seren’s world as the story (hopefully) continues.
You can find them here: Seren (Patreon)
Episodes: 10 episodes in the first season, with a minisode between each
Length: 15-25 minutes in the main episodes
I’ve listened to… All of the first season.
The Premise: Cole and Julie host a radio show that they inherited from their father covering Cryptids and the supernatural. Only some of the things they investigate are more real than others.
My Review: Season one of this series just ended and it led me on a fantastic journey with Cole and Julie. The way the story was introduced and the plot was constructed is a perfect example of how to draw an audience in to a complex, creepy world. The story starts relatively light, family bickering, strange and creepy urban myths and legends discussed on a radio show. But as the episodes progress, but the myths become real. There are many layers to the world in which Cryptic takes place, and different episodes land at different points, from mundane with a hint of the mysterious to completely unexplainable. Cole and Julie explore these reports of strange happenings, at times trying to maintain a balance, at other times trying to prevent danger.
This is not so much a monster hunter style story, but more about two siblings trying to hold things together and learn how to navigate a world they have insufficient knowledge of. Their father’s absence is a clear challenge, only made more so as they wrestle with the moral challenges that come along with their roles. While the podcast never completely abandons moments of levity and calm, there are many more serious elements that get brought in, and the episodes suggest Julie and Cole may have made some significant sacrifices to ensure they can do what must be done.
There is still so much mystery left in this world. The podcast overall has done a great job of introducing enough of each story and idea to make it interesting, but never seems to fully answer the questions. It keeps me coming back eager to know more about the world and what it means to live within it. It balances the knowing and the known unknowns very well, so that there are pieces to start to string together, but not the whole picture. As a listener, I know Julie and Cole are hiding things from one another, but my glimpse of the world only starts to uncover what those secrets might be.
Julie and Cole are written as siblings, and frankly it is a very realistic picture of siblings. They bicker, they say hurtful things to one another, and they provide support. There is real, genuine concern, but also that ability to push buttons in the way on siblings can. Obviously, there is history which is revealed slowly through the episodes, and it makes clear how serious the stakes are. One theme throughout is that the supporting characters are often caught up in the chaos of Cole and Julie, intentionally or otherwise. That adds another layer to the show that asks some very tough questions neither of them seem ready or willing to answer.
Overall, Cryptic is a well executed story that takes the trope of siblings dealing with monsters and spins it into something refreshing. While there are lighthearted moments (I love the “ads” the introduce episodes), it also does not shy away from proposing uncomfortable situations and questions,. It’s also willing to leave those unanswered and messy at this point of the story. Cryptic’s biggest drawback is having a more common name that makes them hard to find at times. With season one recently finishing up, I can heartily recommend you listen if you like spooky, supernatural, and thought-provoking stories.
You can find them here: Cryptic
Call of the Void
Episodes: 7 of the 9 episode story arc.
Length: 20-25 minutes
I’ve listened to… Everything so far. Cannot wait for the finale!
The Premise: I mentioned them in my January 2020 roundup for new podcasts, so you may have heard of them already. Hopefully after hearing about them you started listening to them! If not, now is a great time to catch-up before their finale episode in a couple weeks. The Call of the Void follows Topher and Etsy as they try to uncover what is making people go blind, lose all reason, and rave about the coming of the Void. It is a Lovecraftian horror story that starts and circles back to the Louisiana swamps.
My Review: Reading the description of this podcast, I was pretty sure I was already going to be a fan. Horror? Mystery and occult? Southern setting? It’s all very much in line with my interests. And once I listened to the first episode, I was pretty eager to learn more. As the season has developed, I think they have introduced some really solid ideas. The approach is familiar if you have read or listened to much in the Lovecraftian genre, but they keep some unique twists that help this standout from many similar stories. The mystery illness that strikes is especially intriguing to me and develops into an eerie monster in its own right as it creeps throughout the season. At this point, I have all kinds of theories about what might be going on, and I can’t wait to see how right or wrong I am.
The characters are also very solidly written and feel rather realistic. Topher and Etsy are the primary focus, with other supporting cast serving to flesh the characters out, keep things moving, and provide some extra impetus for the action. The relationships between characters feel very authentic and serve to provide some reasonable justification for their actions and behaviors. The relationship between Topher and Etsy is developed well, because they go from relative strangers to more or less cooperative partners on this mystery. There is a bit of a nod towards romance, but it is not a particularly strong theme at this point in the series, which I appreciate.
As a contained storyline, the podcast really hits the pacing well. Each episodes presents problems, solves some, and creates leads for others. They move pretty briskly through the action, but with the illness taking its unstoppable course through Topher’s father, there is always a timer counting down to tragedy. It does not feel rushed, however, and the content is strong enough to keep the excitement high throughout each episode. I’m always impressed by how much material they have packed into each episode, but also how well exposition and action are balanced.
In the end, the story has been intriguing and kept me excited to hear how all the pieces fit together and the myth unravels. It is Lovecraftian in style, executed well, and plays on familiar themes in ways that fit the settings and characters well. There are also some unique revelations that serve to set this story apart from similar media. The acting, design, and writing have seemed to hit a solid stride as the episodes progress. They are set to have nine episodes in the series, and if all remains the same with the schedule, episode eight releases tomorrow. So you have a week to get caught up before the finale, and I highly recommend you do so. It’s been a fun ride, and I cannot wait to see how they wrap it all up.
You can find them here: The Call of the Void
Old Gods of Appalachia
Episodes: 10 Episodes in Season 1
Length: 20-35 minutes, with some shorter half-episodes
I’ve listened to… All of season 1.
The Premise: A horror anthology that tells the story of Appalachia and the gods who live there, blessing and cursing the people around them. It is set in an Alternate or Shadow Appalachia from the one of our world, but uses some familiar themes. Season One tells the story of Barlo, KY in 1917 as the mining town makes it offering to the gods all around them.
My Review: This was the podcast I didn’t know I needed until I started listening to it. Raised in the South of the US with family history running through the Appalachia region, there is a lot of the setting that is unassumingly normal for me, especially in the way family, religion, and work are all intertwined.
They bill themselves as Lovecraftian horror, and this is truly what I wish other Lovecraftian horror aspired to. It is not Cthulhu and cultists in every corner, but plays on themes of ancient evils in a ways that are perfectly matched to the setting. Rather than being an imitation of the genre, it makes it all its own. (The creators have, in light of Lovecraft’s noted racism and xenophobia, opted to remove reference of “Lovecraftian” from their description. I have updated my description in light of that, but felt this discussion specifically is relevant to the story. Additionally, I feel like this podcast was so much grander than the term “Lovecraftian” conveyed, hence my statements above. I have made changes to reflect that distance, while preserving the message.)
The voice acting is perfectly set to the tone, genre, and setting. It is paced beautifully, which can be a real struggle with this kind of story. Talking in a steady drawl can make things feel like they’re dragging (trust me, I’ve heard it often enough to know). But instead, it serves to draw out the tension of each moment as needed, then provide the satisfying conclusion before delving into yet another scene. It is a very polished and professional podcast.
Beyond the execution, the concept and plot are truly thoughtful and terrifying. This is a horror podcast that does not shy away from discussing the unsettling, the heart wrenching, and the downright horrifying. It tells a story of destruction, blood, and fire in a very moving way. The writing is absolutely spot-on throughout. It carries a consistent theme and tone through the storytelling aspect, but also in the intros and outros. There is never a reason to break immersion and, to be honest, you won’t want to. I’d hate to live in the Appalachia where these old gods reside, but I also find myself drawn deeper and deeper in. And maybe that’s all a part of it.
The story is chilling and unsettling, speaking of old and ancient evil. And while it’s not in our Appalachia, so much of the danger and the darkness is uncomfortably familiar. It seems as if it touches on those primitive fears that have always plagued humanity, daring to turn the light onto those things we have collectively tried to bar from our minds. And if all of that is out there, you definitely want to hold tight to family and try your best to survive what’s to come.
You can find them here: Old Gods of Appalachia
Episodes: 24 in the ongoing storyline
Length: 20-40 minutes, generally, but with some longer outliers
I’ve listened to… All released episodes
The Premise: A sci-fi audiodrama following the adventures of the four Wolverton siblings through time and space and everything in between. It deals with evil megacorpoprations, colonization, AI and robots, time travel, history, and siblings. Plus all their friends, companions, and co-stars throughout.
My Review: I had to search my blog, because I would have sworn I’ve talked about Exoplanetary before. But apparently I’ve just written the review multiple times in my mind and never put it on paper. Or I’m doing it twice, but hey, this deserves to be shouted out as many times as you can. Exoplanetary is a delightful blend of sci-fi, humor, and drama. It has some great, lighthearted moments, but it does have a well-developed plot that introduces some challenging themes and ideas.
The story starts with the four Wolverton siblings, all doing their own thing in various corners of the galaxy. As season one develops, their stories begin to intertwine. Personally, I found the opening stories very interesting. They rather quickly established the world and core characters. As the stories developed further and the paths began to cross, I think it got a little confusing for me (because when you’re dealing with space and time, it can be hard to keep up). It is a complex story with a lot of different perspectives and moving parts, but it all came together beautifully to end the first season with a lot of excitement and emotion. And even as season one drew to a close, it planted seeds for more and more mysteries waiting to be explored.
The supporting cast of characters is also very intriguing and serve to round out the world of the Wolvertons. They have very different reasons for being there, from duty to a desire for exploration to love. And they serve to complement the characters–or at their best, highlight the very human flaws of the Wolverton family. Expolanetary uses character flaws to develop real challenges and problems, but also shows the wonderful side of humanity alongside. Each episode shines a little more light onto the broad cast of characters and the expansive universe in which they reside, making it truly enjoyable to listen in each time to see something new. Overall, the only drawback is the time between episodes. There is 1-2 months between releases, on average. But honestly, each episode is so packed with information, so well acted, so thoughtfully designed, and so expertly edited, that I cannot begrudge them taking the time to put out a really impressive creation.
Exoplanetary manages to tell a rather serious sci-fi story with hints of absurdity, but never takes itself too seriously to have fun. It has managed to built an expansive world, with each episode filling in more and more of the corners. As things are revealed, more questions appear. Whenever a new episode shows up, I’m excited that I get to take a trip into their world to explore some new reach of space or time. And I cannot wait to see where all the journey may lead.
Find them Here: Exoplanetary
The White Vault
Episodes: 38 so far, with ten each in the first two seasons. Also has some between season mini-episodes.
Length: 20-30 minutes, generally
I’ve listened to… Through what has been released of season 3.
The Premise: The story starts out following an expedition to a remote monitoring site outside of Svalbard. Once there, the team is stranded and discovers a strange city under the ice. Which is only the start of their problems. Made up of found audio files from the team, The White Vault tells a great horror tale about isolation, ancient evil, and survival.
My Review: The White Vault is one of those podcasts that was recommended every time I turned around, so I finally gave it a listen. And then became one of the people recommending it regularly. The story initially begins innocently enough as the characters and expectations are introduced. However, there is a general sense of unease which begins building early and develops over the course of the story. The outpost they travel to is very remote, and that alone is enough to establish a sense of foreboding. It is unsettling to know how disconnected they are, and that builds as natural and supernatural phenomena coalesce to make departure much more difficult. The creeping sense of threat is executed well, starting with small and easily dismissed oddities. It builds as the danger begins to take a more definite shape and the peril that the team is in comes into sharper focus.
A story like this really shines based on its characters. Isolation horror with a poorly developed cast is not very satisfying. But each character that has been introduced in the world of The White Vault has been well-developed and engaging. The story works because, as a listener, you are invested in what happens to the character you have grown fond of. They each have unique goals, values, hobbies, and interpersonal styles that help them to stand out as unique characters, but also create their unique predisposing risk factors.
Also, the sound quality and effects are great in this. Audiodrama relies a lot on environmental storytelling, and having only auditory input can make that a real challenge. The White Vault skillfully uses sound effects and background conversations to provide more context to the script. AS a listener, you have the chance to hear it and then have that confirmed, so you get the sense of discovery alongside them. In addition, the dialogue is done in a way that feels natural, but also fills in the gaps. I rarely find myself confused by what is happening because I cannot parse a sound effect, but even when I’m unsure, the dialogue is crafted well enough to very naturally fill in any gaps. It does also include a narrator providing some additional context regarding time, locations, and organization, but does so in a very skilled way. The narrator does not feel like a cop out or a short cut to good audio storytelling, but instead serves to enhance it and create yet another layer of mystery about how and why these tapes came to be collected.
If I had to make a criticism, I would say things sometimes feel a little convenient to the plot or anticipated. Season three is structurally quite similar to season one, but it has been unique in it’s own right as well. Just when you think you have it figured out, something comes flying from the shadows to turn things upside down. So I have not found it to be overly predictable or stale as it has developed, but it definitely has a storytelling language that points the way. Personally, I have found learning the language of the story to be very enjoyable. Speaking of language, one really interesting thing is the use of language. The team members are from all different locales, and so it weaves in all kinds of languages. All relevant information is translated into English (with the exception of some chatter or non-central dialogue–I’m pretty sure), so you’ll know what is going on. But as someone who loves languages, I enjoy hearing the different ones and trying to do my own translation for those I do speak.
The White Vault tells a really creepy story in an expertly paced fashion. Horror and isolation are natural fits, and this is a great example of why they work so well. In my neck of the woods, it’s been pretty cold. And I’ve found that I keep craving more episodes to submerge myself in the icy, terrifying world and learn what comes next. The anticipation in season three is killing me, and so I am hanging on eagerly for each episode. If you like horror, ancient mysteries, exploration, or that creepy and lonely feeling, The White Vault delivers in a big way.
You can find them here: The White Vault
Length: 30-45 minutes
I’ve listened to… All released so far. I’m staying hopeful there will be more coming!
The Premise: An anthology podcast of seven stories that deal with the end of the world, in ways both universal and personal.
My Review: Apparently, for a lot of my writing life, the apocalypse and the end of the world have been a big theme for me. I have sixteen stories on this site alone that deal with that theme in some form or fashion. So when the people who created one of the greatest podcasts to ever exist (yes, Wolf 359. I can’t write a review because it would just be pages of gushing over how great it is) announce they are putting out an anthology podcast of stories related to the end of the world, I’m on board.
Each of the 7 stories is (more or less) standalone, though there are some references to one another woven throughout. They range from comical to serious, but each is expertly crafted and acted. The theme of the end of the world is represented from global apocalypse scenarios to personal struggles and transitions that can never be undone. I appreciate how well they innovated on the theme to create unique stories that standalone but also support and build upon one another. You could pick any episode and listen to it in isolation to enjoy it, but they are best appreciated as a collection. It goes beyond simple genre or theme and creates a series of stories that talk to one another.
Given the range of the seven stories, I am sure almost every listener will have their favorites and least favorites. I think that is both a strength and a weakness. There is a lot of variety in seven stories, but there are quite a few I wish had been developed even further through subsequent stories because it created such an intriguing idea/setting.
Beyond the great quality, the cast and crew have been very active. There are playlists that go along with each episode, listen-throughs with commentary, and unique art. It shows just how much thought and care go into each one. That kind of passion and teamwork is really inspiring, and it shines through in the final product. These stories deserve to be listened to and appreciated as a well-conceived and produced collection of stories about the end. I’m just sad I had to reach their end in only seven episodes.
You can find them here: Zero Hours
Happy New Year! January is off to some kind of start, for sure, and now that we’re solidly into 2020, let’s talk a bit about podcasts. So many new things have been released, and even more shows are starting back up with new seasons. It’s great and definitely keeping my ears busy.
I thought I’d put together a few briefer thoughts on some new podcasts that have come out this month. There are so many good ones, so I’m only going to showcase a few here. If I missed one of your favorite new shows, comment so I can check them out, too! Also, especially since these shows are just getting started I’m including links to donations or Patreon (when available) so that you can easily support them if you find yourself enjoying the hard work they’ve put in.
This comes from Goose Thunder Network, a podcasting group I’ve had good past experience with. This podcast focuses on Princess Cesaleza, who has run into some royal trouble. When her ship is raided, she and the raiders develop a partnership to hopefully solve everyone’s woes. Episode one is out, and it is nicely put together for all it is trying to accomplish. It primarily focuses on introducing the core cast of characters, establishing the scene, initial worldbuilding, and the usual introductory stuff. The plot is intriguing, and there is some nice foreshadowing set up through the trailer and first episode, which can be a challenge to do well in such a short space. There are a lot of familiar voices, so I know the cast they have assembled is strong. If you want an adventurous space heist podcast, I’d jump in while it’s getting started.
No support link available.
In all transparency, the creators of this podcast reached out and asked me to take a listen. And I was happy to, especially since I had already loaded episode one into my queue when I stumbled across them on Twitter. The concept is 110% up my alley–sci-fi, mystery, supernatural, and all rolled into a nice Southern landscape. Topher and Simone’s father has gone missing under unusual circumstances. In episode one, they retrace his last steps and try to find him, spending time at the optometrist, his office, and, oh yeah, the Louisiana palm reader, Etsy, he was scheduled to meet. Within the first two episodes released so far, some of the strange circumstances become clear, but doing so only serves to introduce a host of questions for the remaining episodes. It is set to be a 9-episode arc following Topher and Etsy as they explore something impossibly supernatural in the swamps of New Orleans. The first episodes hooked me, and it seems like a great addition to the tradition of supernatural Southern horror.
Support Them: Call of the Void Donation Page
Let’s keep the genre hopping alive! Y2K is fictional drama following the lives of two friends through voicemails recovered from the year 2000. As someone who was alive then, I got a little bit of a shock when the narrator, the student who found and is publishing the voicemails, mentions she was not alive then. I feel old. But, 2000 is a time full of nostalgia and some great memories for me, so this little time capsule back is great. The story is mostly following the lives of Kat and Jess through moves and romance and friendship and all the twists and turns life can bring. The conversations, for the most part, feel very authentic. It sounds like the kind of audio journals two friends separated by time zones might truly leave. There are definitely some unknowns that are slowly being filled in over the course of the episodes, and I’m really curious to see where all 52-weeks of this story will lead us.
Support Them: Y2K Patreon
Valence brings us back around to some supernatural elements. It’s urban fantasy, a genre that I have found incredibly intriguing, but have not explored too much (yet). Valence takes place in a world where magic exists. And is intentionally suppressed. However, as you might imagine, not everyone likes the idea of suppressing their magical skills. The story follows one such magic user (or muse, as the show refers to them) as they work to challenge the system. It definitely has some nice themes emerging about fighting for and appreciating our differences, of not giving into fear mongering or paranoia. Of course, there’s only one episode out, so it will be very interesting to see where this goes over the course of the story. Again, there are a lot of familiar voices and a really well-constructed experience so far. It takes place in a rich world that I am excited to learn more about as episodes continue to release, and I feel episode one sets the stage for a great adventure.
Support Them: Valence Patreon
Then back to my roots with a good sci-fi story. The story opens as Seren departs on an eight-month journey to reach a planet for terraforming. She is alone, save for Pearl the AI, and cut off from the world she has known. Seren does not know where she’s going, but her job while she travels is to “reflect on [her] past and the mistakes that led to [her] becoming a colonist.” From episode one, it is clear that there is a much more interesting story waiting to unfold over the eight episodes. A major strength clear in even episode one is the ability to provide context and develop a scene without having to stop and spell it out directly. There are so many intriguing thoughts and ideas presented, and I cannot wait to see where each thread leads.
Support Them: Seren Patreon
And finally, let’s round out the list with something cheerful to help you through this start to 2020. MonkeyTales is a hopepunk anthology podcast. If you’re like me and have not heard the term hopepunk before, it’s focused on telling offbeat, but optimistic and positive stories. This is brought to you by the same wonderful people who created Moonbase Theta, Out, so you know they have some real talent (which, side note, had a great second season you should also check out). So far, each story has been very distinct, but overall had a very relaxing and comforting vibe. While they aren’t necessarily designed to be a standard “good guy wins” story format, each episode so far has had some heartwarming elements that focus on the good aspects of humanity. It’s a nice reminder that there is a lot of good in the world and in people if we stop long enough to notice their stories.
Support Them: Monkeyman Productions Patreon
Hopefully something here will catch your fancy and start a whole new adventure. Again, if I missed a project you love, let me know! There can never be too many podcasts!
Episodes: 6 episodes.
Length: 10-20 minutes, with most in the low teens
I’ve listened to… All of season 1.
The Premise: Frank’s job is simple: take care of the passengers aboard the colony ship bound for a new world. He’s alone, aside from his AI assistant, and video calls to other caretakers, which seemed like a blessing at first.
My Review: Before listening to Directive, an audiodrama had never made me cry. Maybe I got a little misty-eyed, but I kept it together. And then the final episode of season 1 comes along and got me crying. Like tears down the cheeks, yucky sniffling kind of crying. I am still amazed by how powerful a punch they managed to pack into six short episodes. It is a true testament to how wonderfully crafted it is.
Now, this review may be a little vague because I really don’t want to give anything away. The story is so well structured. As someone who likes to write short stories, I’m really impressed by the level of skill in pacing and plot this audiodrama displays. It develops the main components really well, keeping things slow where they should be and moving gracefully through other moments. I think the initial episodes do an excellent job of impressing on the listener the monotony of Frank’s day-to-day. It builds a sense of familiarity and camaraderie with him. And that makes what comes after all the more powerful.
Frank is a solid character, drawing the listener in as you build a connection with him. He is balanced well by the meticulous AI, focused solely on accomplishing the mission of safely ferrying the passengers. It is interesting that both Frank and the AI have the same motivation, albeit with different motivations. For the AI, it is programming. For Frank, it’s to get his well earned reward for all the hard work. However, it may not really be as straightforward as all that, once you get down to it. But I’ll let you listen and see.
Season 2 is coming up and appears as if it will be telling a different story in the same universe. I’m not sure what to expect or how interconnected the two seasons will be, but I am excited to see what this creator does next.
Listen, if you are up for some really exceptional writing and storytelling, grab yourself a box of tissues and settle in to binge all six episodes. You’ll be done in about an hour and a half and have the rest of the day to reflect and think on what an incredible story Directive tells. Maybe it won’t hit you quite the same way it did me, but I know it is a fantastic example of how well-created a story can be.
You can find them here: Directive