A Listener Reviews: The Chronicles of Wild Hollow
Length: 30-40 minutes
I’ve listened to… all current episodes
Transcripts Available: No
The Premise: The Chronicles of Wild Hollow follows bounty hunter Fandango Boursin (front and center in the image above) as he takes on jobs. However, he unknowingly may be falling deeper into a web of danger with each passing moment. The first trilogy of his adventures is available to listen now, with more content planned.
My Review: If you ever wanted a musical podcast full of adventure, intrigue and sardonic humor, then I have some great news. The Chronicles of Wild Hollow hits numerous notes, creating a serious story in a fantasy world. It creates an endearing cast of characters and a surprisingly complex world. The creators, Shouting is Funny, reached out to me for a review. And I am so glad they helped me discover this absolute gem.
This audiodrama borrows some cues from westerns, noir, and adventure genres. I was impressed with the way it wove in classic genre tropes, and yet turned them around or used them to poke fun at convention. It is self-aware in a pleasant way, calling itself out to deepen characters and the world. The writing is clever, quick, and engaging. It never lingers too long in one moment, but keeps the action moving while still providing ample room for character development. I listened to the Christmas special first, as it was the first in queue. And it had me laughing and shaking my head (in a good way) all the way along my commute. That is a good introduction to the style of the show–dark, but funny. Unexpected, unconventional, and witty.
It uses humor very well to balance out the very serious themes presented, keeping it from becoming too difficult of a story to digest. However, the storylines are well-developed and thoughtful, addressing drug use, conspiracy, community, and crime. It uses these situations to develop a cast of interesting characters, with Fandango being the most complete of those depicted so far. His character wrestles with the reality of his job at times, of money versus compassion, of justice and doing the right thing. This is a fairly classic conflict for such characters, but the execution of this is excellent. As Fandango develops, the listener is kept wondering how he will navigate increasingly dangerous situations while remaining true to who he is.
The background characters are also well-done, but tend to be static and more limited in their involvement. It makes sense given the stories being told, and there are some who get additional development. Even with those brief glimpses, it was easy to like certain recurring characters. I also expect some of those with a briefer role may get developed more as future stories about Fandango are released.
I would be remiss to write this whole review and not mention the musical aspects. This is a charming aspect of the show, using musical numbers to introduce characters, progress the plot, and provide scene development. The music is well-written and placed well throughout each episode. It provides an opportunity for more focused world building, using song to provide background and setting details, but in a way that keeps everything moving at a nice pace. The lyrics maintain the feel of the show and feel consistent with the overarching themes of the show.
Overall, this podcast was one that took me by surprise and quickly became a new favorite. The first trilogy leaves off in a precarious place, so I am eagerly awaiting more. In the span of four episodes, the team at Shouting is Funny managed to create a great character, wonderful supporting characters, a complex world, and fantastic music to go along. I never knew quite how a scenario would turn out, and the clever writing pulled me in right away. I can highly recommend you give this show a listen.
You can find them here: The Chronicles of Wild Hollow