Episodes: 12 so far, with more planned
Length: 40-60 minutes
I’ve listened to… all currently released episodes
Transcripts Available: Yes, available here
The Premise: Two followers of an outlawed god travel rural lands in an attempt to find miracles and workings of their god. It exists in a world where consumerism and religion have melded, and where belief begets existence in many ways, whether you want it to or not.
My Review: Billing itself as a mix of weird fiction and horror, The Silt Verses manages to tell a story horrifying in its content and implications in equal measure. It is a tough one to explain, because it is so different than a lot of what is out there. It is most similar to I am in Eskew, a show by the same creators. The Silt Verses continues the strong tradition of blending the impossible and the macabre into a complex world with serious stakes. The powers that rule the world are fickle and often cruel, highlighting the precarious fragility of humanity within the web of their power.
From moment one, the tone of the show is dark, brooding, and mysterious. Things that are explained as commonplace and expected are subtly (and not-so-subtly at times) wrong, leaving a sense that something is deeply wrong. In many ways, it it like the uncanny valley, but for existence rather than entities. The world has some similarities to our own, and yet the early signs point to things being horribly wrong.
One of the factors that I find most intriguing is the blend between consumerism and religion. Say what you will about the mix in our current world, but this takes it to a new extreme. Brands rely on gods, create gods, bring worship to them. Throughout the show, there is this idea that belief, want, and need can at times combine in terrible ways to create monstrous power. And once that power exists, it requires worship and sacrifice. These are not merely metaphorical concepts, either, but eldritch horrors that reach into the world on the behalf of companies. There is also the unsettling feeling that everyone is playing with powers much grander than they can understand, that one change in the fickle nature of these gods could bring about disaster.
The two main characters are Carpenter and Faulkner as they seek out miracles from their outlawed god, the Trawler-Man. They form a competitive, unwilling partnership for such a pilgrimage, and their conflict reveals uncomfortable truths about the religions of their world. As the story progress, Officer Hayward is introduced, an investigator specializing in uncovering and stopping those who try to follow forbidden gods. The characters are incredible. their backstories unfold over the course of episodes, displaying various degrees of reverence, despair, confidence, disillusionment, and cynicism. The world continues to expand with more characters, more perspectives, and more details about the way this strange world works. Each character that appears feels complete and driven, with a chaotic network of aligned and conflicting goals existing between them.
The story does not rush, but steadily draws out the world and the characters. It is paced well, lingering on those uncomfortable, impossible moments. Each episode either adds a new complication, a new facet of the world, or a new step forward in the character’s competing quests. The writing is dramatic in style, often introspective in its focus. Dialogue between characters feels realistic and well-crafted. As the characters deepen, the dialogue showcases who they trust and how much through what is said and left unsaid.
Since The Silt verses released, I have been eagerly listening through each episode, getting pulled further into the world being created. It is a dark story, set in an unpleasant and threatening world. As far as horror goes, it does not rely on jump scares or gore, but on existential dread and unsettling imagery. The writing is polished, intentional, and beautiful in its stylized way. As far as exceptional horror podcasts go, no list would be complete without including the Silt Verses. There is more to come in this story, and I am worried about where it may take us.
Theme: Road Trip
The music poured around her, filling the car with sound and energy. Kyla moved with the music, belting out the tunes as she shot down the highway towards lands ahead. She felt alive, invigorated, and so she drove on, car diving in and out of pools of light as streetlights flickered overhead. It was a path set out for her.
The car moved with her, acting as an extension of her own body. She was dragon and rider, knight and steed, moving with one singular purpose to the rhythm encompassing her. The road, now conquered, faded away beneath her tires and she pressed on.
There was plenty of music, designed precisely for an occasion such as this. The disc spun in the player and dozens more awaited, each promising a mix of nostalgia and joy. Lyrics poured out of her from places mostly forgotten as tears trailed down her cheeks, unacknowledged except to wipe them away when the road dissolved into a blur. She drove onward.
With the bursting light of dawn, she turned off the highway and onto the city streets, eventually coming to stop in front of an unfamiliar apartment she would call home. Silence settled in heavily once the car was off, and she felt her mind surging ahead. It would be a few hours yet before the office opened to get keys, but moving in would not take long. She hazarded a glance at the flotsam of her old life lying in boxes in the backseat, fragments of something before, but turned away. No time for the past now. She had made sure to fill the road behind her with enough noise to keep her thoughts from wending back that way.
It was a new day, and she planned to keep it that way.
Length: 20-30 minutes
I’ve listened to… All currently released episodes
Transcripts Available: Yes, available here
The Premise: The story begins in the city of Highgate, introducing most of the central cast. When raiders attack, the five not-yet-heroes set out on a journey of various aims, from supporting one another to vengeance. Set in a wide fantasy world full of danger and magic, it centers on the six adventurers soon to be known as Aurora Nova.
My Review: The Legacy Saga is a classic fantasy adventure following the origins of our heroic groups as they set out on their first true quest. It is a familiar, comfortable fantasy story that develops a host of interesting characters striving to make their ways in a deep and fantastic world.
The story starts with introductions and orientation to the general themes. It gives the characters an opportunity to stretch and develop their skills and motivations early on, pushing them into the rising action through magic and misadventure. It begins with five of the six characters as they live in the city of Highgate, a city no one has left for years. Azrael, Atarah, Sabin, Rowan, and Naiea provide an introduction to the world of the Legacy Saga. Each one has a unique background with differing drives. It certainly has its connection to the RPG world, and that provides a wonderful structure from which the story grows.
When tragedy comes to Highgate, the heroes are forced to decide if and how they will respond. Their friendship and individual needs pull them together and out of the safety of Highgate. One clever thing this audiodrama does is include a cast of characters with little exposure to the outside world. As the world expands beyond the gates, the characters are learning right alongside the listeners. It provides a very natural way to develop the world. And the world itself appears well-developed, with its own conflicts, technology, magic, and politics. I am interested to learn more about how differing factions and fantasy races fill in the world.
This is certainly the kind of story that hinges on its characters, and the six main characters each provide a different facet to the overall story. They balance each other well and provide competing motivations for the group as a whole. The relationships within the group continue to develop and evolve episode by episode, developing strong ties and tenuous alliances.
There is a very light frame story in play, only referenced with occasional audience comments. Personally, I have found these moments tend to reduce some of the tension and at times undermine some clever foreshadowing. However, these are very brief moments and do not generally detract from the events and the story. And the story is intriguing. It hits on familiar fantasy themes, but I am certainly invested in learning about what is going on, who the good and bad guys are, and how the heroes will manage.
I’m always going to be a sucker for good fantasy, and the Legacy Saga has drawn me in. It has a cast of interesting characters thrown into a complex world. I’ve never played DnD, but the influences are clear in the structure and development. I find it enjoyable to hear those beats without worrying about the dice rolls or fine details of actual play. If you want to get pulled into a fantasy world with someone new to root for, then the Legacy Saga is worth a listen.
When I was a child, I used to wish I could fly away. I had seen Mary Poppins, watched her float through the sky, and wanted the same. I’d grip my umbrella tightly as I jumped from puddle to puddle, one part joyous with each satisfying splash from my boots, the other part wishing to feel the earth fall away beneath me. I never knew where I would go, only away. On an adventure. Wasn’t that how the stories always went?
I grew up and, like all children, dropped those foolish notions. No adults flew around on umbrellas. She’d asphyxiate before she ever got high enough, anyways. And, to be honest, maybe Mary Poppins wasn’t even that good of a nanny, right?
But standing there, umbrella up against the rain, I felt all the old yearnings resurge. The handle was smooth plastic, the cheap nylon canopy–in an appropriate black–popping with each raindrop. There was a steady stream falling around me as I stood protected in my bubble. I was vaguely aware of comforting hands on my arm, my back. Gentle squeezes of encouragement. But all they seemed to do was further tether me to the ground.
And so I gripped the handle. Here I would not jump, but I would wish. As I looked at the looming grave, dirt steadily falling on the lid below, I hoped every moment to feel that lift beneath me. I did not know where I would go, but wherever it was would be away from here. And maybe wherever that was would be a place you still were.
Theme: You weren’t supposed to wake up here.
From darkness to light. It all happened in an instant, the world exploding into vibrancy. I gasped— I could remember breathing, yet this felt like my first breath. The oxygen raced ragged down my throat, ripping into my lungs. It ached to breathe, it ached to see.
My brain felt unsure of how to parse the world. Light and shadow. Noises—someone was walking somewhere, something screamed, whether mechanical or animal I could not tell. There was an assault of smells that made me gag, either because they were unpleasant or because I had been so deprived. I gagged, flooding my senses with that bitter taste.
It was too much at once, and I felt myself drowning in sensation. As the flood subsided, I could piece things together, steadily understanding. Above me was the roof, wooden and in disrepair. The walls were dusty and stained. Those screams were certainly not mechanical. Those smells were certainly rot.
Worst were the shadows finding permanence. Bodies, lying on a table like the one I occupied. They lay there still, quiet, and unmoving.
And then there were the footsteps.
Something obscured my view, and my eyes struggled to refocus. Then there was a monstrous face, the source of the smell.
The eyes bulged at strange angles, barely contained by the flesh of its face. A ragged gash served as the mouth, a menagerie of teeth standing at lazy attention inside. It sniffed.
“Got another one,” it growled in a bubbling voice. It paused, head titled for a response, then shrugged. “Guess I’ll get this one.”
Rough hands on my body, like coarse stones tearing my skin. “Please,” I heard my voice, unfamiliar and harsh with disuse, “I shouldn’t be here.”
It laughed. “Of course you should. Now back to sleep.”
A needle’s pinch, then darkness.
Length: 30-40 minutes
I’ve listened to… all current episodes
Transcripts Available: No
The Premise: The Chronicles of Wild Hollow follows bounty hunter Fandango Boursin (front and center in the image above) as he takes on jobs. However, he unknowingly may be falling deeper into a web of danger with each passing moment. The first trilogy of his adventures is available to listen now, with more content planned.
My Review: If you ever wanted a musical podcast full of adventure, intrigue and sardonic humor, then I have some great news. The Chronicles of Wild Hollow hits numerous notes, creating a serious story in a fantasy world. It creates an endearing cast of characters and a surprisingly complex world. The creators, Shouting is Funny, reached out to me for a review. And I am so glad they helped me discover this absolute gem.
This audiodrama borrows some cues from westerns, noir, and adventure genres. I was impressed with the way it wove in classic genre tropes, and yet turned them around or used them to poke fun at convention. It is self-aware in a pleasant way, calling itself out to deepen characters and the world. The writing is clever, quick, and engaging. It never lingers too long in one moment, but keeps the action moving while still providing ample room for character development. I listened to the Christmas special first, as it was the first in queue. And it had me laughing and shaking my head (in a good way) all the way along my commute. That is a good introduction to the style of the show–dark, but funny. Unexpected, unconventional, and witty.
It uses humor very well to balance out the very serious themes presented, keeping it from becoming too difficult of a story to digest. However, the storylines are well-developed and thoughtful, addressing drug use, conspiracy, community, and crime. It uses these situations to develop a cast of interesting characters, with Fandango being the most complete of those depicted so far. His character wrestles with the reality of his job at times, of money versus compassion, of justice and doing the right thing. This is a fairly classic conflict for such characters, but the execution of this is excellent. As Fandango develops, the listener is kept wondering how he will navigate increasingly dangerous situations while remaining true to who he is.
The background characters are also well-done, but tend to be static and more limited in their involvement. It makes sense given the stories being told, and there are some who get additional development. Even with those brief glimpses, it was easy to like certain recurring characters. I also expect some of those with a briefer role may get developed more as future stories about Fandango are released.
I would be remiss to write this whole review and not mention the musical aspects. This is a charming aspect of the show, using musical numbers to introduce characters, progress the plot, and provide scene development. The music is well-written and placed well throughout each episode. It provides an opportunity for more focused world building, using song to provide background and setting details, but in a way that keeps everything moving at a nice pace. The lyrics maintain the feel of the show and feel consistent with the overarching themes of the show.
Overall, this podcast was one that took me by surprise and quickly became a new favorite. The first trilogy leaves off in a precarious place, so I am eagerly awaiting more. In the span of four episodes, the team at Shouting is Funny managed to create a great character, wonderful supporting characters, a complex world, and fantastic music to go along. I never knew quite how a scenario would turn out, and the clever writing pulled me in right away. I can highly recommend you give this show a listen.
You can find them here: The Chronicles of Wild Hollow
Theme: “The door crept open”
The growl came from the closet. There was no denying the fact nor any reconciling it with reality. Lana hadn’t been sleeping and now wouldn’t be anytime soon. Instead, she stared at the wooden door and clenched the blankets about her with the primal instinct they would protect her.
“Get it together,” she whispered through gritted teeth. The impossibility required rationality to reassert itself quickly, shoving the fear to the side. “There are no monsters in closets.”
As if to prove to herself and whatever had growled, she flung the blankets aside and put her feet on the floor. Once grounded, she expected to feel safer. Instead, she felt more certain she was going mad.
Did the knob move? The door shake? Lana strained her ears to listen for anything. Was that breathing or the AC whispering through the vents?
“This is ridiculous. You outgrew this stuff in grade school.” She stood and forced her legs toward the door.
The room was chilled, her palms clammy. She studied the narrow wooden door. It only really counted as a closet so her landlord did not run afoul of housing laws; no room for monsters in there. Lana gripped the handle and took a breath.
“Grow up, Lana,” she growled to herself in a final act of motivation.
The door crept open and–
There was Nothing.
Nothing, vast, infinite, and dark. Stretching into eternity and beyond for impossible depth. How was emptiness so much worse than everything she had imagined?
As the Void reached out to draw her in, Lana longed for fangs, fur, and claws.
Length: The whole things comes in at about 140 minutes
I’ve listened to… all episodes
Transcripts Available: The story itself is based off the Jack London Novel, but I did not find specific transcripts available
The Premise: The Iron Heel is, according to the web “the first modern dystopian novel.” It follows Avis and Earnest, two lovers fighting for worker’s rights against the Iron Heel of the capitalist oligarchy.
My Review: I previously reviewed a podcast by this same theater group and loved the approach. In The Resistible Rise of JR Brinkley, the episodes wove together not only the story of the strange JR Brinkley’s rise to fame, but also interviews with experts in various historical fields and adaptations of period music. It was a really wonderful listening experience that was not only enjoyable, but informative. So hearing that there was another show in the same vein, I was incredibly excited.
The Iron Heel continues this style. For me, listening captured the feel of sitting in the theater watching a play. It has the familiar setup and frame as a theater show, and I have missed being able to sit in those seats recently. The acting and writing are styled and paced like a three act play. I found each of the three sections held up well on its own, though the story is understood in completion.
As I mentioned, the production weaves together the actual story alongside interviews with relevant experts. There are also renditions of labor-movement songs. Personally, I found many of the musical adaptations to be clever not only in the wording, but in the tunes used. Throughout this story, there are threads woven together between economics, religion, personhood, and family. It is a theme that touches every part.
The story itself is based off the Jack London novel. It uses a similar frame, a narrator recounting and adapting the found journal of Avis as she describes the fight against capitalism. Her story focuses on her husband, Earnest’s, role in the events. The frame story is set in a socialist utopia, looking back at the often tireless fight that finally succeeded. It takes this dystopia story and adds an element of hope, something I found refreshing. Avis is a really relatable character in many ways, confronting her own prejudices and then serving to hold people true to their stated goals and aims, without giving in to the pressures of the new world.
The way this story is adapted is wonderful. The language retains that more formal, older style. At times it feels a bit stilted because it is not the way we talk, but it serves to keep the past events anchored in their past. There are also a number of clever, fourth-wall-breaking moments. I found these served to help break down the romantization sometimes seen in such works. It focuses on the brutal, bloody systems in place. Those facts are not hidden behind the language, but up front. The frame story also includes intentional misunderstandings, serving to reinforce how far society has come. Both of these techniques wonderfully create that sense of distance from events.
The selected interviews at the end of each episode are also enlightening. I had cursory exposure to labor movements in the US during school, but nothing too detailed. I will always take an opportunity to be entertained and taught, and the Iron Heel delivers. It demonstrates how art is a part of revolution through focus on writings and music of the time.
Overall, the Iron Heel is a well-produced audiodrama that delivers the feel of an in-person play, but through a podcast format. They use that to their advantage to pack in a number of songs and interviews that deepen the context of the story, while also providing some real world knowledge. The story is based off of Jack London’s work, but adapted to this format to tell a quick paced, character-driven exploration of the fight against the oligarchy. A different approach than many audiodramas, but one that is well worth hearing.