13 Stories of Halloween: Merely Players
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Darren barely felt human. In fact, he felt more like a monster built purely of anxiety and tension, one that just happened to ooze into a human form for the night. Everyone said such feelings were normal. That as all well and good, he reasoned, but it did nothing to quiet the awareness that he was sweaty, nauseated, jittery, and hyperventilating.
Stage fright. It sounded so innocuous, but it was far from it. Still, he reminded himself, this was all about becoming a better him. After his last breakup, he recognized a few facts. First, he had terrible taste in partners. Second, he deserved better. And third, perhaps most painfully, he was no longer the kind of person he would want to date, let alone anyone else. His journey of self-discovery had led to a brash, spontaneous audition for a local play. And that audition dragged him all the way to that very moment, sitting backstage as the audience filtered in. The play would go for one night only. Halloween, of course. And the festive date meant they had a full house as well. If he quieted his breathing and the pounding of his heart, he imagined he could hear the murmur of hundreds—well, perhaps tens—of voices.
“You look like a first timer,” said Jean from the seat next to him. Her face was painted with almost gaudy makeup, but everyone assured him it would look lovely from the audience. He flexed his own face, feeling the foundation shift like a mask.
She reached over and pulled his water glass from his hand. “That’s your sixth glass of water. You’re going to piss yourself on stage if you keep it up.” The smile was genuine, understanding.
Until that moment, Darren had not considered needing to hold his bladder through at least Act One. That brought up all new anxieties. “What if I can’t do this?” he blurted out.
Her words were a cool breeze soothing his brow. “Hey, you’ve practiced, right?”
“You know your lines?”
He swallowed, trying mentally to run through his lines, then nodded. “I hope.”
She just smiled. “Then, I suppose you can do this. Not like you have much of a choice now.”
It was reassuring. Of course. He only had a few lines, a good number of which were written sneakily in the book he was to read from. Even if he got stuck there, he would just have to push through it.
The rest of the preparation was a blur of activity. People were checking and nitpicking at his costume, reapplying makeup where he had sweated through. The backstage crew checked and rechecked props, reviewed their cues, and ensured each character knew where to find what they would need. His fellow actors squeezed his shoulder, whispered encouragement, and always concluded with the famous “Break a leg.” For his part, he mostly nodded out of the way, eyes skimming over his lines one last time.
Then, the lights dimmed and the director stepped out to welcome the audience. While he expected his anxiety to crest again, send him into an even greater tailspin, it surprised him. His body likely panicking, he found his mind growing surprisingly clear and focused. Perhaps this is what those lunatics meant when they said they worked better under pressure.
Applause, then the curtains went up on the opening scene. It was your typical gruesome, gory plot for a seasonal play. The first scene was Michael and Linda, young and happy couple in the prime of their life. They were on a walk through the park, discussing future plans. Michael took an aside, looked at the ring in his pocket, and waxed poetic about the powers of love to the audience. The audience was not fooled, of course, by the saccharine opening. They were simply biding their time.
As he returned to Linda, purportedly studying the flowers while he was convening with the audience, the lights dimmed. Someone stepped from the shadows. It was Trip, a perennial figure at the community theater, bedecked in a hat that covered the top half of his face and a trench coat that concealed the rest of him. He brandished a weapon, Michael stepped forward to protect his one true love, and then there was a crash. Michael collapsed, Linda screamed, and the house lights went down.
A funeral was next, Linda the grieving partner. Jean played it beautifully, appearing devastated and completely unpredictable. The next few scenes displayed an obsessive, frantic turn in the lovely Linda, who’s only thought was to restore what had been taken from her.
Darren took a deep breath, stepping onto the scene while the lights were dimmed and finding his place. The set behind him was a curios shop, featuring the comical shrunken head that had become the unofficial mascot of the show. He smiled seeing it, feeling a bit more of the anxiety melt away.
Linda approached, and he looked up from behind his counter as the effects crew rang a simple bell.
“Afternoon,” he said, his voice cracking just a bit. There were no loud guffaws from the audience.
Linda looked around the shop, appearing distracted, uneasy, and yet hopeful. He was amazed Jean was as talented as she was, especially at a community theater that drew no more than 150 people at a time. She deserved to be famous, he thought.
“They told me you could help me,” she said, stepping up to his counter.
“Well, I don’t know who they are or what I’d be able to do to help.” He turned a shoulder to her, appearing to study his inventory.
“Please,” Linda responded and reached out to grab his arm.
He looked back at her and sighed. “What is it you want? And I don’t work for free,” he said tersely, wagging a finger in her direction. The audience seemed to hang on their every word.
“I’ll pay whatever you want, you just have to help me get him back.”
Darren looked her up and down. “Yes, you will certainly pay. Now who is it you are wanting?”
Linda stepped away, the spotlight following her as she gazed up toward the rafters. “My Michael,” she said with a sob. She went on to recount the story as Darren did his best to appear grumpy, but moved.
“Are you sure about this?” he cautioned as she finished her tale.
“Yes, anything you ask. I can’t go on without him!”
Darren turned, peering over the row of books behind him and selecting one that appeared sufficiently old and dusty. “Take this and make your preparations. Return to me by the next full moon.”
Linda rushed from the shop, clutching the book to her chest. “Thank you,” she said passionately. “Thank you. I will return, I swear.”
Darren stroked the fake beard on his chin as he watched her leave, lights dimming again.
Backstage, Jean grabbed his hand quickly as she swung past. “You did great. Keep it up,” she whispered, then swept back into the stage. She read slowly from the book, appearing to ponder the different items needed. After a moment, she set off with resolve. The next few scenes detailed her preparation, culminating finally with her taking a shovel into a set designed to look like the graveyard, an almost full moon hanging heavily on the backdrop behind her.
The lights turned to black as the sound of a shovel piercing the earth echoed in the theater.
In the brief pause, there was a flurry of activity. The ritual scene had to be set. In Act Two, the ritual was completed, bringing Michael back. Like most stories, his resurrection went well until his insatiable bloodthirst was revealed. Act Three dealt entirely with how to kill someone who had already been dead once before. But, Act Two was Darren’s big scene, and the nerves returned to flutter through his stomach.
He walked on stage while it was still dark, bending to “light” the flickering electric LED candles. For a few brief seconds, they were the only light on the stage. Slowly, the house lights came up. That was Jean’s cue, and Linda came hurrying in from stage left.
“I have him,” she gasped. Darren nodded.
“Well, bring him in then. Set him here between the candles.” He stretched his arm widely to indicate the circle around him, then stepped over to rearrange the implements on the table. The stage directions had not been very clear on this point, but had indicated he needed to busy himself while she was gone.
Linda hesitated, opened her mouth to speak, and then was gone. She returned moments later carrying a withered bundle in her arms. A decaying, emaciated hand slipped from beneath the wrappings, cluing the audience in to what her large parcel truly was. Linda set Michael’s body gently on the floor, peeling away the fabric and stroking his hair gently. She looked on the corpse with true love.
Darren shooed her away. “You must prepare the article of binding. It is the only way to hold his spirit here.” He stepped over to inspect the body. This was one part they had improvised on. The props crew had an awful time finding a suitable corpse, and so they had been completing rehearsals using everything from a manikin to a blow-up doll. But now he saw the true extent of their creativity and skills.
The corpse looked like someone who had been buried for quite some time. There was dirt on the clothes. The body was tiny in the confines of the neatly pressed suit. Skin clung along every outline of bone. It was so realistic, Darren almost imagined he could smell the decay and rot, but pushed the thought aside. Just nerves, he told himself.
Linda returned with a lock of her hair tied around a sprig of flowers. She bent to the corpse and tucked it into his mouth. Darren caught a glimpse of teeth, then the long darkness of the dummy’s throat. It gave him a sense of vertigo.
He stepped over to the table with the prepared items, grabbing the book and the chalice. He handed the chalice to Linda, who began to dip her fingers in and sprinkle blood across the corpse and the ritual area. A speck landed on Darren’s lips, and he licked it away. That assured he would not make that mistake again. He had presumed it would taste sweet, given it was just food coloring and corn syrup. However, it was rather bitter and tangy. Apparently the props crew had not been too careful about how it was stored. He hoped they had not mixed anything more toxic into it. It strangely resembled paint, and he had to quickly remind himself that ingesting a drop of paint would not kill him.
Darren read from the book. The words were mostly gibberish to him, but he did his best to form them precisely as the director had instructed. She was visible from the corner of his eyes, mouthing the words with him. He spoke louder, more forcefully as he proceeded, letting the energy of the scene take him over. It was exhilarating; the words moved through him with a renewed vigor, almost as if the play had taken control. He simply knew what had to be done.
Crossing the stage, he grabbed the knife from the preparation table and brought it down forcefully on the chest of the corpse, aiming squarely for the heart. Now, Linda was supposed to weep as nothing happened. It would be later in the night, when they had both left, that Michael would stir.
Only, that was not what happened. The corpse on the stage seemed to let out a gasp, a strand of hair escaping its lips and fluttering through the air. Darren and Jean both froze, caught off guard. But Jean was never one to let a scene die.
“Michael, is that you?” she asked, pressing her head to the chest of the corpse.
Her face grew pale, and even Jean, the real talent on stage, lost her place. The silence stretched on, finally broken from a low groan coming out of the corpse’s lips.
Darren stepped back, eyes wide as the body in front of him regained its flesh. Colored returned to the skin, and it pulled away from the bones. It was almost as if someone were inflating the body, reinstilling life into it. Darren’s mind scrambled for reason. Surely this was a stage trick. But he could not come up with any possible way to create such an illusion.
He could hear the audience gasp, a trickle of applause spreading throughout as they witnessed what was surely a marvelous illusion. Mirrors, they thought. A display screen, perhaps. Maybe a trap door?
Darren saw the director, a look of frenzy and joy in her eyes, grab the rope for the curtains and begin to stretch them across the stage. The body began to move, reaching out toward Jean. She sprung to her feet and raced towards off stage. But the director caught her, arm surging forward with something bright. Jean curled around the woman’s arm with a gasp, almost like a child getting stopped in Red Rover. She hung there for a moment, then collapsed to the stage, unmoving.
“All good things require sacrifice,” said the director with a smile, moving quickly over the stage and kneeling by the now alert body.
“Andrea?” he asked. She nodded and kissed him.
“But how? What did—Why am—“
“Sh,” she whispered, smoothing his hair from his forehead. “You need your strength.”
She moved quickly, too quickly for Darren to really know what had happened. In one moment, he was standing in shock, watching some impossible scene play out in front of him as the audience murmured curiously from behind the curtain. The next, there was blood pouring from his neck as he tried to stop the flow.
He fell to his knees, blood pooling around him. The man on the ground seemed at first shocked, then repulsed. Then intrigued. As the lights faded one last time, Darren saw the once-corpse begin to eagerly lap the blood from the floor, eyes closed in ecstasy.
This work by Katherine C is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.